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Japan: Meiji Period woodblock triptych depicting a fight between Rochishin and Kyumonryo in a Kabuki stage play, by Toyohara Chikanobu (1838-1912),1886

Toyohara Chikanobu, better known to his contemporaries as Ysh Chikanobu, was a prolific woodblock artist of Japan's Meiji period. His works capture the transition from the age of the samurai to Meiji modernity.<br/><br/>. In 1875 (Meiji 8), he decided to try to make a living as an artist. He travelled to Tokyo. He found work as an artist for the Kaishin Shimbun. In addition, he produced nishiki-e artworks. In his younger days, he had studied the Kan school of painting; but his interest was drawn to ukiyo-e.<br/><br/>. Like many ukiyo-e artists, Chikanobu turned his attention towards a great variety of subjects. His work ranged from Japanese mythology to depictions of the battlefields of his lifetime to women's fashions. As well as a number of the other artists of this period, he too portrayed kabuki actors in character, and is well-known for his impressions of the mie (formal pose) of kabuki productions.<br/><br/>. Chikanobu was known as a master of bijinga, images of beautiful women, and for illustrating changes in women's fashion, including both traditional and Western clothing. His work illustrated the changes in coiffures and make-up across time. For example, in Chikanobu's images in Mirror of Ages (1897), the hair styles of the Tenmei era, 1781-1789 are distinguished from those of the Keio era, 1865-1867.
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Japan: Meiji Period woodblock triptych depicting a fight between Rochishin and Kyumonryo in a Kabuki stage play, by Toyohara Chikanobu (1838-1912),1886
Toyohara Chikanobu, better known to his contemporaries as Ysh Chikanobu, was a prolific woodblock artist of Japan's Meiji period. His works capture the transition from the age of the samurai to Meiji modernity.

. In 1875 (Meiji 8), he decided to try to make a living as an artist. He travelled to Tokyo. He found work as an artist for the Kaishin Shimbun. In addition, he produced nishiki-e artworks. In his younger days, he had studied the Kan school of painting; but his interest was drawn to ukiyo-e.

. Like many ukiyo-e artists, Chikanobu turned his attention towards a great variety of subjects. His work ranged from Japanese mythology to depictions of the battlefields of his lifetime to women's fashions. As well as a number of the other artists of this period, he too portrayed kabuki actors in character, and is well-known for his impressions of the mie (formal pose) of kabuki productions.

. Chikanobu was known as a master of bijinga, images of beautiful women, and for illustrating changes in women's fashion, including both traditional and Western clothing. His work illustrated the changes in coiffures and make-up across time. For example, in Chikanobu's images in Mirror of Ages (1897), the hair styles of the Tenmei era, 1781-1789 are distinguished from those of the Keio era, 1865-1867.
Crédito:
Album / Universal Images Group / Pictures From History
Autorizaciones:
Modelo: No - Propiedad: No
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Tamaño imagen:
5100 x 2527 px | 36.9 MB
Tamaño impresión:
43.2 x 21.4 cm | 17.0 x 8.4 in (300 dpi)
Palabras clave:
1886 ART ARTE ARTES ESCENICAS ARTES ASIA ASIATICO BAILE BAILES BLOQUE DE MADERA DANZA EJECUTANTE ESCENARIO JAPON JAPONES JUGAR KABUKI LUCHA PLANCHA DE MADERA REALIZAR TEATRO TRIPTICO UKIYO-E