alb5175042
painting, Isaac Claesz. van Swanenburg, 1596-1601, panel, oil paint, painted, Overall dimensions according to catalog 1983: 137.5 × 173cm 1375 × 1730mm, With frame: 157.5 × 193 × 7cm 1575 × 1930 × 70mm, allegory, putto, city virgin, personification, woman, cityscape, man, lead, Painting with an allegorical depiction of the New Neringhe and the City Virgin. The City Virgin of Leiden approaching from the left gives the woman who symbolizes the Nieuwe Neringhe the book with the urban laws and the regulations governing this industry. Both women are depicted in full-length and facing each other. Some putti to the right behind the Nieuwe Neringhe are holding a cornucopia, as a sign of the prosperity brought about by the renewed flourishing of the textile industry. In the background a fantastic town hall facade with a high platform on which the secretary Jan van Hout, 1542-1609, accompanied by the rear admiral and eight aldermen, reads the new hallmarks. The second figure from the left is the textile dye Claes Willemsz. van Warmont; the painter himself is depicted on the far right. Not signed. The painting is in a black-painted wooden frame with a gilded inner edge, 1867.
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painting, Isaac Claesz. van Swanenburg, 1596-1601, panel, oil paint, painted, Overall dimensions according to catalog 1983: 137.5 × 173cm 1375 × 1730mm, With frame: 157.5 × 193 × 7cm 1575 × 1930 × 70mm, allegory, putto, city virgin, personification, woman, cityscape, man, lead, Painting with an allegorical depiction of the New Neringhe and the City Virgin. The City Virgin of Leiden approaching from the left gives the woman who symbolizes the Nieuwe Neringhe the book with the urban laws and the regulations governing this industry. Both women are depicted in full-length and facing each other. Some putti to the right behind the Nieuwe Neringhe are holding a cornucopia, as a sign of the prosperity brought about by the renewed flourishing of the textile industry. In the background a fantastic town hall facade with a high platform on which the secretary Jan van Hout, 1542-1609, accompanied by the rear admiral and eight aldermen, reads the new hallmarks. The second figure from the left is the textile dye Claes Willemsz. van Warmont; the painter himself is depicted on the far right. Not signed. The painting is in a black-painted wooden frame with a gilded inner edge, 1867
painting, Isaac Claesz. van Swanenburg, 1596-1601, panel, oil paint, painted, Overall dimensions according to catalog 1983: 137.5 × 173cm 1375 × 1730mm, With frame: 157.5 × 193 × 7cm 1575 × 1930 × 70mm, allegory, putto, city virgin, personification, woman, cityscape, man, lead, Painting with an allegorical depiction of the New Neringhe and the City Virgin. The City Virgin of Leiden approaching from the left gives the woman who symbolizes the Nieuwe Neringhe the book with the urban laws and the regulations governing this industry. Both women are depicted in full-length and facing each other. Some putti to the right behind the Nieuwe Neringhe are holding a cornucopia, as a sign of the prosperity brought about by the renewed flourishing of the textile industry. In the background a fantastic town hall facade with a high platform on which the secretary Jan van Hout, 1542-1609, accompanied by the rear admiral and eight aldermen, reads the new hallmarks. The second figure from the left is the textile dye Claes Willemsz. van Warmont; the painter himself is depicted on the far right. Not signed. The painting is in a black-painted wooden frame with a gilded inner edge, 1867
Bildnachweis: Album / quintlox
Freigaben (Releases): ? Modellfreigabe: Nein - ? Eigentumsfreigabe: Nein
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Bildgröße: 4250 × 3280 px | 39.9 MB
Druckgröße: 36.0 × 27.8 cm | 1673.2 × 1291.3 in (300 dpi)
Schlüsselwörter: BUCH • FRAU • FRAUEN • FUELLHORN • FÜLLHORN • GANZE FIGUR • GANZFIGURIG • GEMAELDE • GRUND • HALTEN • KONTERADMIRAL • LEINE • MALER • MALEREI • MANN • OELFARBE • PANNEAU • PERSONIFIZIERUNG • PUTTE • STADTANSICHT • STECHKAHN • WEIBCHEN • WOMAN • ÖLFARBE
