alb2642574
The miser's feast, Gillray, James, 1756-1815, artist, London : by W. Holland, en sanguine engraving 1786, a miser seated at a table eating a meager meal; Death stands off to the right as an emaciated and naked manservant holding in his right hand a tray with a bone on it and behind him, in his left hand, the dart of death; Famine, a withered hag, naked to the waist which funnels to a point, wearing a large hat and fashionable skirt, stands at the open door through which enter a fashionably dressed prostitute and another woman carrying stolen articles to leave with the miser. Padlocked chests and cupboards, moneybags, and plastered-over windows (for tax savings purposes) attest to the avarice and miserliness of the occupant.
| Teilen |
|---|
 Pinterest |
 Twitter |
 Facebook |
 Link kopieren |
 Email |
|
Zu einem anderen Lightbox hinzufügen |
|
Zu einem anderen Lightbox hinzufügen |
Haben Sie bereits ein Konto? Anmelden
Sie haben kein Konto? Registrieren
Dieses Bild kaufen.
Nutzung auswählen:
Untertitel: Siehe automatische Übersetzung
The miser's feast, Gillray, James, 1756-1815, artist, London : by W. Holland, en sanguine engraving 1786, a miser seated at a table eating a meager meal; Death stands off to the right as an emaciated and naked manservant holding in his right hand a tray with a bone on it and behind him, in his left hand, the dart of death; Famine, a withered hag, naked to the waist which funnels to a point, wearing a large hat and fashionable skirt, stands at the open door through which enter a fashionably dressed prostitute and another woman carrying stolen articles to leave with the miser. Padlocked chests and cupboards, moneybags, and plastered-over windows (for tax savings purposes) attest to the avarice and miserliness of the occupant.
The miser's feast, Gillray, James, 1756-1815, artist, London : by W. Holland, en sanguine engraving 1786, a miser seated at a table eating a meager meal; Death stands off to the right as an emaciated and naked manservant holding in his right hand a tray with a bone on it and behind him, in his left hand, the dart of death; Famine, a withered hag, naked to the waist which funnels to a point, wearing a large hat and fashionable skirt, stands at the open door through which enter a fashionably dressed prostitute and another woman carrying stolen articles to leave with the miser. Padlocked chests and cupboards, moneybags, and plastered-over windows (for tax savings purposes) attest to the avarice and miserliness of the occupant.
Persönlichkeiten: GILLRAY
Bildnachweis: Album / quintlox
Freigaben (Releases): ? Modellfreigabe: Nein - ? Eigentumsfreigabe: Nein
Rechtefragen?
Rechtefragen?
Bildgröße: 5000 × 4133 px | 59.1 MB
Druckgröße: 42.3 × 35.0 cm | 1968.5 × 1627.2 in (300 dpi)
Schlüsselwörter: AKT (MALEREI) • ALLEGORIE: GEIZ • ANATOMIE: KNOCHEN • ANTIQUARIAT • ENTBLÖSST • ENTBLÖSSUNG • ESSEN • FENSTER • FERNWEH • FESTESSEN • FRAU • FRAUEN • GASTMAHL • GEIZ • GEIZHALS • GELDGIER • GESCHICHTE • GIER • GILLRAY • GRAVUR • HABGIER • HAENDE • HALTEN • HAND • HEIMWEH • HEIMWEHR • HISTORISCH • HOLLAND • HÄNDE • JAHRGANG • KAMMERDIENER • KNOCHEN • KUENSTLER • KUNST • KÜNSTLER • LEBENSMITTEL • LONDON • MAHLZEIT • MOEBEL: TISCH • NACKT (NACKTHEIT) • NACKT • NAHRUNGSMITTEL • NOSTALGIE • NOSTALGISCH • PUNKT • ROCK • ROMANTIKER • SITZEN • SPEISE • SPEISEN • STICH (KUNST) • TABLETT • TISCH • TOD • TODESFALL • TRADITION • TRADITIONELL • TRAGEN • TRAGEN, SCHLEPPEN • TUER • TÜR • VERPFLEGUNG • VERSCHLOSSEN • VIKTORIANISCH • WEHMUT • WEIBCHEN • WOMAN • ZEITGESCHICHTE
