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HENRY WESTON KEEN. Unused Tailpiece Design, The Duchess of Malfi

Unused Tailpiece Design, The Duchess of Malfi. Artist: Henry Weston Keen (British, 1899-1935 Walberswick, Suffolk). Author: John Webster (British, ca. 1580-ca. 1634). Dimensions: sheet: 17 1/8 x 14 1/2 in. (43.5 x 36.8 cm). Date: ca. 1930. Keen worked as a printmaker and illustrator in the 1920s and 1930s, creating unsettling symbolist images reminiscent of Aubrey Beardsley. Two significant commissions were designs for luxury editions published by The Bodley Head-a firm that had launched Beardsley in the 1890s-Oscar Wilde's "Picture of Dorian Gray" (1925) and John Webster's "The White Devil and The Duchess of Malfi" (1930). After Keen's early death from tuberculosis, The Twenty-One Gallery in London held a memorial exhibition.
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Titel:
Unused Tailpiece Design, The Duchess of Malfi
Untertitel: Siehe automatische Übersetzung
Unused Tailpiece Design, The Duchess of Malfi. Artist: Henry Weston Keen (British, 1899-1935 Walberswick, Suffolk). Author: John Webster (British, ca. 1580-ca. 1634). Dimensions: sheet: 17 1/8 x 14 1/2 in. (43.5 x 36.8 cm). Date: ca. 1930. Keen worked as a printmaker and illustrator in the 1920s and 1930s, creating unsettling symbolist images reminiscent of Aubrey Beardsley. Two significant commissions were designs for luxury editions published by The Bodley Head-a firm that had launched Beardsley in the 1890s-Oscar Wilde's "Picture of Dorian Gray" (1925) and John Webster's "The White Devil and The Duchess of Malfi" (1930). After Keen's early death from tuberculosis, The Twenty-One Gallery in London held a memorial exhibition.
Technik/Material:
pen and ink
Museum:
Metropolitan Museum of Art, New York, USA
Bildnachweis:
Album / Metropolitan Museum of Art, NY
Freigaben (Releases):
Model: Nein - Eigentum: Nein
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Bildgröße:
3047 x 3606 px | 31.4 MB
Druckgröße:
25.8 x 30.5 cm | 10.2 x 12.0 in (300 dpi)
Schlüsselwörter: