alb3950343
'A Rake's Progress-8: The Mad House', 1733. Artist: William Hogarth.
!['A Rake's Progress - 8: The Mad House', 1733. True to his nature Tom Rakewell has run through a vast fortune through indulgence in all the luxuries of modern living. He has lived riotously, both gambling and whoring. He has married a rich old widow and been ruined a second time. Now the rake is raving mad and shackled for his own safety in Bedlam, the London lunatic asylum. He is comforted by Sarah Young, the poor girl that he had seduced with a false promise of marriage while he was a student at Oxford. Behind, two fashionable women have come to view the hospital's inmates. From William Hogarth, by Austin Dobson. [Hachette Et Cie, Paris, 1904].](/photos/prev/NGE0ZGM0MA/album_alb3950343.webp)
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Titel: 'A Rake's Progress-8: The Mad House', 1733. Artist: William Hogarth.
Untertitel: Siehe automatische Übersetzung
'A Rake's Progress - 8: The Mad House', 1733. True to his nature Tom Rakewell has run through a vast fortune through indulgence in all the luxuries of modern living. He has lived riotously, both gambling and whoring. He has married a rich old widow and been ruined a second time. Now the rake is raving mad and shackled for his own safety in Bedlam, the London lunatic asylum. He is comforted by Sarah Young, the poor girl that he had seduced with a false promise of marriage while he was a student at Oxford. Behind, two fashionable women have come to view the hospital's inmates. From William Hogarth, by Austin Dobson. [Hachette Et Cie, Paris, 1904]
'A Rake's Progress - 8: The Mad House', 1733. True to his nature Tom Rakewell has run through a vast fortune through indulgence in all the luxuries of modern living. He has lived riotously, both gambling and whoring. He has married a rich old widow and been ruined a second time. Now the rake is raving mad and shackled for his own safety in Bedlam, the London lunatic asylum. He is comforted by Sarah Young, the poor girl that he had seduced with a false promise of marriage while he was a student at Oxford. Behind, two fashionable women have come to view the hospital's inmates. From William Hogarth, by Austin Dobson. [Hachette Et Cie, Paris, 1904]
Bildnachweis: Album / Heritage Images / The Print Collector
Freigaben (Releases): ? Modellfreigabe: Nein - ? Eigentumsfreigabe: Nein
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Bildgröße: 5255 × 4307 px | 64.8 MB
Druckgröße: 44.5 × 36.5 cm | 2068.9 × 1695.7 in (300 dpi)
Schlüsselwörter: 18. JAHRHUNDERT • 18. JH. • ASYL • ENGLAND • FIEDEL • GEFUEHL: MITLEID • GEIGE • GEISTESKRANKHEIT • GESUNDHEIT • HANDFESSEL • HEXENSABBATH • HOFFNUNGSLOSIGKEIT • KRANKHEIT • KRANKHEIT: WAHNSINN • LIEBE • LIED • MANN • MEDIZIN: KRANKHEIT • MITLEID • MONOCHROM • MONOCHROMIE • MUSIK • MUSIK: LIED • MUSIKANT • MUSIKER • MUSIKINSTR.: GEIGE • MUSIKINSTR.: VIOLINE • MÄNNCHEN • RUINE • RUINEN • SCHWARZ UND WEISS • SCHWARZ-WEISS • SCHWARZWEISS • SIECHTUM • SITTLICHKEIT • STIMMUNG: LIEBE • VERZWEIFLUNG • VIOLINE • WAHNSINN • ZERFALL
