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Dress, c. 1875, 47 × 45 in. (119.38 × 114.3 cm) (including fringe), Mountain sheep hide and sinew, glass beads, hemp, United States, 19th century, This dress was made in the late to mid-1800s by a Nez Perce woman artist for a young woman, and it is constructed from several hides. The artist retained the composition of the mountain goat form, including the tail and legs, in order to imbue the wearer with the qualities and power of the animal. In the early 1800s, a hank, or bundle, of pony beads (large, smooth glass beads), like those featured in this dress, were so highly prized that their trade value was worth a pony. The artist deftly beaded black, white, red, and yellow beads in vertical rows, creating an undulating, dynamic pattern, which is then mirrored at the bottom hem of the dress with fringe that would sway back and forth as the wearer walked.

Dress, c. 1875, 47 × 45 in. (119.38 × 114.3 cm) (including fringe), Mountain sheep hide and sinew, glass beads, hemp, United States, 19th century, This dress was made in the late to mid-1800s by a Nez Perce woman artist for a young woman, and it is constructed from several hides. The artist retained the composition of the mountain goat form, including the tail and legs, in order to imbue the wearer with the qualities and power of the animal. In the early 1800s, a hank, or bundle, of pony beads (large, smooth glass beads), like those featured in this dress, were so highly prized that their trade value was worth a pony. The artist deftly beaded black, white, red, and yellow beads in vertical rows, creating an undulating, dynamic pattern, which is then mirrored at the bottom hem of the dress with fringe that would sway back and forth as the wearer walked.
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Dress, c. 1875, 47 × 45 in. (119.38 × 114.3 cm) (including fringe), Mountain sheep hide and sinew, glass beads, hemp, United States, 19th century, This dress was made in the late to mid-1800s by a Nez Perce woman artist for a young woman, and it is constructed from several hides. The artist retained the composition of the mountain goat form, including the tail and legs, in order to imbue the wearer with the qualities and power of the animal. In the early 1800s, a hank, or bundle, of pony beads (large, smooth glass beads), like those featured in this dress, were so highly prized that their trade value was worth a pony. The artist deftly beaded black, white, red, and yellow beads in vertical rows, creating an undulating, dynamic pattern, which is then mirrored at the bottom hem of the dress with fringe that would sway back and forth as the wearer walked.
Bildnachweis:
Album / quintlox
Freigaben (Releases):
? Modellfreigabe: Nein - ? Eigentumsfreigabe: Nein
Rechtefragen?
Bildgröße:
5380 x 6320 px | 97.3 MB
Druckgröße:
45.6 x 53.5 cm | 17.9 x 21.1 in (300 dpi)
Schlüsselwörter: