alb3613112

ANTOINE WATTEAU. Seated Woman

Seated Woman. Artist: Antoine Watteau (French, Valenciennes 1684-1721 Nogent-sur-Marne). Dimensions: 9 7/16 x 5 7/16 in.  (24 x 13.8 cm). Date: 1716-17.
One of the most brilliant and innovative draftsmen of the eighteenth century, Watteau was an early exponent of the "trois-crayons" or "three-chalk" technique, which allowed his drawings to approach the rich coloristic effects of painting. This fetching study of a seated woman is a consummate example of his mastery of the technique. Freely mixing red, black, and white chalk, he captured the young woman's loosely pinned-up hair, luminous flesh tones, and the sheen of her dress. The Lehman sheet is not known to be a preparatory study for a painting, but the model does reappear in at least one other drawing by the artist. Her gesture is not easily understood, although her elegance and charming lack of self-consciousness come through clearly.
Teilen
pinterestPinterest
twitterTwitter
facebookFacebook
emailEmail

Zu einem anderen Lightbox hinzufügen

Zu einem anderen Lightbox hinzufügen

add to lightbox print share
Haben Sie bereits ein Konto? Anmelden
Sie haben kein Konto? Registrieren
Dieses Bild kaufen. Nutzung auswählen:
Daten werden geladen...
Titel:
Seated Woman
Seated Woman. Artist: Antoine Watteau (French, Valenciennes 1684-1721 Nogent-sur-Marne). Dimensions: 9 7/16 x 5 7/16 in. (24 x 13.8 cm). Date: 1716-17. One of the most brilliant and innovative draftsmen of the eighteenth century, Watteau was an early exponent of the "trois-crayons" or "three-chalk" technique, which allowed his drawings to approach the rich coloristic effects of painting. This fetching study of a seated woman is a consummate example of his mastery of the technique. Freely mixing red, black, and white chalk, he captured the young woman's loosely pinned-up hair, luminous flesh tones, and the sheen of her dress. The Lehman sheet is not known to be a preparatory study for a painting, but the model does reappear in at least one other drawing by the artist. Her gesture is not easily understood, although her elegance and charming lack of self-consciousness come through clearly.
Technik/Material:
Black, red and white chalk
Museum:
Metropolitan Museum of Art, New York, USA
Bildnachweis:
Album / Metropolitan Museum of Art, NY
Freigaben (Releases):
Model: Nein - Eigentum: Nein
Rechtefragen?
Bildgröße:
2698 x 4094 px | 31.6 MB
Druckgröße:
22.8 x 34.7 cm | 9.0 x 13.6 in (300 dpi)