alb9625869

'A Favorite Occupation of Josephine', 1896. Artist: Unknown.

'A Favorite Occupation of Josephine', 1896. Joséphine de Beauharnais (1763-1814) was the first wife of Napoleon I, and first Empress of the French. Later depiction of Josephine looking at clothes. Typogravure after the aquarelle by E Grivaz. From Life of Napoleon Bonaparte, Volume II, by William Milligan Sloane. [The Century Co., Macmillan & Co., Limited, New York & London, 1896].

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Title: 'A Favorite Occupation of Josephine', 1896. Artist: Unknown.

Caption: 'A Favorite Occupation of Josephine', 1896. Joséphine de Beauharnais (1763-1814) was the first wife of Napoleon I, and first Empress of the French. Later depiction of Josephine looking at clothes. Typogravure after the aquarelle by E Grivaz. From Life of Napoleon Bonaparte, Volume II, by William Milligan Sloane. [The Century Co., Macmillan & Co., Limited, New York & London, 1896]

Personalities: JOSEPHINE DE BEAUHARNAIS (1763-1814)

Credit: Album / The Print Collector/Heritage Images

Releases: ? Model Release: No - ? Property Release: No
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Image size: 3495 × 5200 px | 52.0 MB

Print size: 29.6 × 44.0 cm | 1376.0 × 2047.2 in (300 dpi)

Keywords: 18TH CENTURY • 18TH CENTURY, THE • 18TH CENTURY. • 18TH • 19TH CENTURY • 1ST CONSUL BONAPARTE • BEAUHARNAIS • BONAPARTE GENERAL • BONAPARTE THE CORSICAN • BONAPARTE • BONEY • CENTURY • CLOTHES • COLOR • COLOUR • COUNTRY • DRESS • EIGHTEENTH CENTURY • EMPEROR NAPOLEON • EMPRESS JOSEPHINE • EMPRESS • EUGENE GRIVAZ • EUGENE • FEMALE • FIRST CONSUL BONAPARTE • FLUSH • FRANCE • FRENCH • GENERAL BONAPARTE • GRIVAZ • JOSEPHINE DE BEAUHARNAIS • JOSEPHINE DE • JOSEPHINE • LADY • LOCATION • LOOKING • MARIE- • MARIE-JOSÈPHE-ROSE TASCHER DE LA PAGERIE • MARIE-JOSÈPHE-ROSE • NAPO • NAPOLEON BONAPARTE I • NAPOLEON BONAPARTE • NAPOLEON I • NAPOLEON L • NAPOLEON • NAPOLEONE DI BUONAPARTE • NAPOLEONIC • NINETEENTH CENTURY • PASTIME • PEOPLE • PRINT COLLECTOR, THE • ROSE TASCHER DE LA PAGERIE • ROYAL • ROYALTY • TASCHER DE LA PAGERIE • TYPOGRAVURE • WOMAN • WOMEN • XVIII CENTURY