alb5151560

Hugo Erfurth, Ludwig Mies van der Rohe, paper, oil print, image size: height: 38,4 cm; width: 27,6 cm, label: cardboard verso: top left in typescript: Hugo Erfurth added by hand in lead: Mies v. d. Rohe; lower right in typescript: HUGO ERFURTH (1874-1948): PORTRAIT MIES VAN DER ROHE, oil print, Inv. No. 263 A, inscribed: cardboard and: in lead: oil print; cabinet 14/15, upper drawer, stamp: cardboard and right: inventory stamp of the Staatliche Landesbildstelle, handwritten in lead supplemented: 263 A, inscribed: Passepartout o.: left in lead: 220; right in lead: 233, portrait photography, portrait, portrait, architect, portrait, self-portrait of an artist, portrait, en face, Maria Ludwig Michael Mies, At the beginning of the 20th century Hugo Erfurth was one of the most famous professional photographers in Germany, alongside Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art.

Hugo Erfurth, Ludwig Mies van der Rohe, paper, oil print, image size: height: 38,4 cm; width: 27,6 cm, label: cardboard verso: top left in typescript: Hugo Erfurth added by hand in lead: Mies v. d. Rohe; lower right in typescript: HUGO ERFURTH (1874-1948): PORTRAIT MIES VAN DER ROHE, oil print, Inv. No. 263 A, inscribed: cardboard and: in lead: oil print; cabinet 14/15, upper drawer, stamp: cardboard and right: inventory stamp of the Staatliche Landesbildstelle, handwritten in lead supplemented: 263 A, inscribed: Passepartout o.: left in lead: 220; right in lead: 233, portrait photography, portrait, portrait, architect, portrait, self-portrait of an artist, portrait, en face, Maria Ludwig Michael Mies, At the beginning of the 20th century Hugo Erfurth was one of the most famous professional photographers in Germany, alongside Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art.
Share
pinterestPinterest
twitterTwitter
facebookFacebook
emailEmail

Add to another lightbox

Add to another lightbox

add to lightbox print share
Do you already have an account? Sign in
You do not have an account? Register
Buy this image
Loading...
Caption:
Hugo Erfurth, Ludwig Mies van der Rohe, paper, oil print, image size: height: 38,4 cm; width: 27,6 cm, label: cardboard verso: top left in typescript: Hugo Erfurth added by hand in lead: Mies v. d. Rohe; lower right in typescript: HUGO ERFURTH (1874-1948): PORTRAIT MIES VAN DER ROHE, oil print, Inv. No. 263 A, inscribed: cardboard and: in lead: oil print; cabinet 14/15, upper drawer, stamp: cardboard and right: inventory stamp of the Staatliche Landesbildstelle, handwritten in lead supplemented: 263 A, inscribed: Passepartout o.: left in lead: 220; right in lead: 233, portrait photography, portrait, portrait, architect, portrait, self-portrait of an artist, portrait, en face, Maria Ludwig Michael Mies, At the beginning of the 20th century Hugo Erfurth was one of the most famous professional photographers in Germany, alongside Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art
Credit:
Album / quintlox
Releases:
Model: No - Property: No
Rights questions?
Image size:
3118 x 4320 px | 38.5 MB
Print size:
26.4 x 36.6 cm | 10.4 x 14.4 in (300 dpi)
Keywords:
1874-1948 1894 ONWARDS 1905 1906 1920S ONWARD 20TH CENTURY HUGO ERFURTH 220 233 263 A AGE ÂGÉS ALONGSIDE RUDOLPH DÜHRKOOP APPEALING APPRENTICESHIP ARCHITECT (MALE) ARCHITECT ARCHIVE ARCHIVES ART COLLECTION ART-PHOTOGRAPHIC TRADITION ARTFORM ARTIST ARTISTE ARTISTICALLY ENNOBLED AMATEUR ATMOSPHERIC WAY BEGAN TAKING BUILDS UP CABINET 14 CALLING CARDBOARD AND CARDBOARD VERSO CARDBOARD CATHRIN HAUSWALD CENTRAL CLASSICAL MODERNISM CLASSICIST PALACE CO-FOUNDER COLOGNE STUDIO COLOGNE COMPLETING CONSTRUCTION ENGINEER DESTROYED DRESDEN EN FACE ERFURTH RESCUED ERFURTH FACE FAMOUS PERSONALITIES FAMOUS PROFESSIONAL PHOTOGRAPHERS FOCUS FOCUSING FULL-LENGTH FIGURES DEPICTED GAIENHOFEN GERMANY GESELLSCHAFT DEUTSCHER LICHTBILDNER HAND HANDWRITTEN HUGO ERFURTH ADDED HUGO ERFURTH IN LEAD INSCRIBED INV INVENTORY STAMP JOACHIM RINGELNATZ KÄTHE KOLLWITZ LABEL LAKE CONSTANCE LEAD SUPPLEMENTED LEAD LEFT LEIPZIG ACADEMY LOWER RIGHT LUDWIG MIES VAN DER ROHE MANAGED MARIA LUDWIG MICHAEL MIES MATERIALITY MIES V MOVES NAME NEW STUDIO NICOLA PERSCHEID NO NUMEROUS AMATEUR PHOTOGRAPHIC EXHIBITIONS OIL PRINT OIL PRINTING EMPHASIZES OLD OPEN OPENED OTTO DIX OWN STUDIO PAPER AND PACKAGE PRODUCTS PAPER PARTICIPATED PASSEPARTOUT O PHOTOGRAPHED PHOTOGRAPHER PICTORIAL APPROACH CORRESPONDS PIGMENTS PORTRAIT MIES VAN DER ROHE PORTRAIT PHOTOGRAPHY PORTRAIT PORTRAITS POTRAIT PRODUCED NUMEROUS PORTRAITS RIGHT ROHE SECOND WORLD WAR SELF PORTRAIT SELF-PORTRAIT SELFPORTRAIT SIMPLE MONOCHROME BACKGROUND SOFTNESS SOON ERFURTH ORIENTATED STAATLICHE LANDESBILDSTELLE STAMP STUDIES STYLISHLY ELEGANT AMBIENCE SUCCESSFUL PROFESSIONAL PHOTOGRAPHER TECHNICAL TECHNIQUE TECHNOLOGY TEHNOLOGY THE TIME PLACES TOP LEFT TOWARDS TYPESCRIPT UP-AND-COMING PICTORIALIST PHOTOGRAPHY UPPER DRAWER VISAGE WEALTHY BOURGEOISIE WHEREBY WORK