alb9871507
Victimarius, an assistant at a ritual sacrifice, ancient Rome. He carries an axe, wears an apron or limus, and leads a bull by a rope. A musician plays the tibia or aulos. Victimaire. Handcoloured copperplate drawn and engraved by L. Labrousse, artist of Bordeaux, under the direction of Jacques Grasset de Saint-Sauveur from his Lantique Rome, ou description historique et pittoresque, Ancient Rome, or historical and picturesque description, Chez Deroy, Paris, 1796.
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Caption:
Victimarius, an assistant at a ritual sacrifice, ancient Rome. He carries an axe, wears an apron or limus, and leads a bull by a rope. A musician plays the tibia or aulos. Victimaire. Handcoloured copperplate drawn and engraved by L. Labrousse, artist of Bordeaux, under the direction of Jacques Grasset de Saint-Sauveur from his Lantique Rome, ou description historique et pittoresque, Ancient Rome, or historical and picturesque description, Chez Deroy, Paris, 1796.
Credit:
Album / Florilegius
Releases:
Model: No - Property: No
Rights questions?
Rights questions?
Image size:
4965 x 6579 px | 93.5 MB
Print size:
42.0 x 55.7 cm | 16.6 x 21.9 in (300 dpi)
Keywords:
1796 • 18TH CENTURY • 18TH CENTURY, THE • 18TH • ANCIENT CIVILIZATION • ANCIENT ROME • APPAREL • APRON • ASSISTANT • AULOS • AULOS, DOUBLE FLUTE • AX • AXE • BULL • CHANGING ROOM • CHEZ DEROY • CLASSIC • CLOTHES • CLOTHING • CLOTHINGS • COPPERPLATE ENGRAVING • COSTUME • DISGUISE • DOUBLE AULOS • DRESS • DRESSED • FLUTE, AULOS-DOUBLE FLUTE • GARMENT • HABIT • HANDCOLOURED • INDUMENTARIA • JACQUES GRASSET DE SAINT-SAUVEUR • L. LABROUSSE • LANTIQUE ROME • LIFE • LIFESTYLE • LIMUS • MASQUERADE • MENSWEAR • MUSICAL INSTR. AULOS, FLUTE • MUSICAL INSTRUMENT AULOS, FLUTE • MUSICIAN • MUSICIANS • OR HISTORICAL AND PICTURESQUE DESCRIPTION • OU DESCRIPTION HISTORIQUE ET PITTORESQUE • PARIS • RELIGION • RITUAL SACRIFICE • RITUAL • ROBE • ROMAN EMPIRE • ROME ANCIENT • ROME • ROPE • SACRED RITES • SUIT • TAILOR • TIBIA • TRADES • VICTIM • VICTIMAIRE • VICTIMARIUS • VICTIMS • WAY OF LIFE • XVIII CENTURY
