alb2642574

The miser's feast, Gillray, James, 1756-1815, artist, London : by W. Holland, en sanguine engraving 1786, a miser seated at a table eating a meager meal; Death stands off to the right as an emaciated and naked manservant holding in his right hand a tray with a bone on it and behind him, in his left hand, the dart of death; Famine, a withered hag, naked to the waist which funnels to a point, wearing a large hat and fashionable skirt, stands at the open door through which enter a fashionably dressed prostitute and another woman carrying stolen articles to leave with the miser. Padlocked chests and cupboards, moneybags, and plastered-over windows (for tax savings purposes) attest to the avarice and miserliness of the occupant.

The miser's feast, Gillray, James, 1756-1815, artist, London : by W. Holland, en sanguine engraving 1786, a miser seated at a table eating a meager meal; Death stands off to the right as an emaciated and naked manservant holding in his right hand a tray with a bone on it and behind him, in his left hand, the dart of death; Famine, a withered hag, naked to the waist which funnels to a point, wearing a large hat and fashionable skirt, stands at the open door through which enter a fashionably dressed prostitute and another woman carrying stolen articles to leave with the miser. Padlocked chests and cupboards, moneybags, and plastered-over windows (for tax savings purposes) attest to the avarice and miserliness of the occupant.
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Caption: The miser's feast, Gillray, James, 1756-1815, artist, London : by W. Holland, en sanguine engraving 1786, a miser seated at a table eating a meager meal; Death stands off to the right as an emaciated and naked manservant holding in his right hand a tray with a bone on it and behind him, in his left hand, the dart of death; Famine, a withered hag, naked to the waist which funnels to a point, wearing a large hat and fashionable skirt, stands at the open door through which enter a fashionably dressed prostitute and another woman carrying stolen articles to leave with the miser. Padlocked chests and cupboards, moneybags, and plastered-over windows (for tax savings purposes) attest to the avarice and miserliness of the occupant.
Personalities: GILLRAY
Credit: Album / quintlox
Releases: ? Model Release: No - ? Property Release: No
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Image size: 5000 × 4133 px | 59.1 MB
Print size: 42.3 × 35.0 cm | 1968.5 × 1627.2 in (300 dpi)
Keywords: 1756 1786 1815 AGED ALLEGORY: GREED ANATOMY: BONES ANTIQUE ARKHEIA ART ARTICLES ARTIST ARTISTE ARTS ARTWORK ATTEST AVARICE BONE CARRYING CHESTS CITY OF LONDON CLOTHING: SKIRT COVETOUSNESS CULTURE CUPBOARDS DART DEATH DOOR DOORWAY DRESSED EAT EATING EMACIATED ENGRAVED IMAGE ENGRAVED ENGRAVEMENT ENGRAVING (ARTWORK) ENGRAVING ENGRAVING. ENGRAVINGS ENTER ENTERING ETCHING FAMINE FASHIONABLE FASHIONABLY FEAST FEMALES FOOD FOODSTUFFS FUNNELS GILLRAY GREED FOR MONEY GREED HAG HAND HAND. HANDS HAT HATS HAT    HEADGEAR HEIMWEHR (AUSTRIAN MILITIA) HISTORIA UNIVERSAL HISTORIA HISTORIC ART HISTORIC HISTORICAL HISTORY HISTORY. HOLDING HOLLAND HOMESICKNESS ILLUSTRATIVE TECHNIQUE JAMES LARGE LEAVE LEFT LEGEND LONDON CITY LONDON LONDON. LONGING (NOSTALGIA) MANSERVANT MEAGER MEAL MISER'S MISER MISER. MISERLINESS MONEYBAGS MUJER MUJERES NAKED NOSTALGIA NOSTALGIC NUDE OCCUPANT OLD FASHIONED OLD OLD-FASHIONED OPEN PADLOCKED PLASTERED-OVER POINT PORCH PORTAL PORTICO PRINT PROSTITUTE PURPOSES RETRO STYLED RETRO RIGHT ROMANTIC ROMANTICISM SANGUINE SAVINGS SEATED SECOND-HAND BOOKSHOP SIN: GREED SIT DOWN SIT SITS SITTING SKIRT SKIRT, CLOTHING STANDS STINGINESS STOLEN TABLE TABLES TAX TRADITION TRADITIONAL TRADITIONS TRAY TRAY, HOUSEHOLD USED BOOK STORE VALET VICTORIAN ERA VICTORIAN VINTAGE W. WAIST WAITING MAN WANDERLUST WEARING WINDOW WINDOWS WISTFULNESS WITHERED WOEFULNESS WOMAN WOMEN WOMAN'S WOMAN WOMAN. WOMANS WOMEN'S WOMEN WOMENS