Woodcut, Shrike (Linorium genus maius), Conrad Gesner, Historia Animalium, 1551, Renaissance.

1500S, THE • 16 16TH XVI XVITH SIXTEENTH CENTURY • 16 CENTURY • 16TH CENTURY • 16TH • AGE • ÂGÉS • ANIMAL • ANIMALS IN THE WILD • ANIMALS • ART PRINT • ART PRINTS • ART • ARTS AND CRAFTS • ARTS • ARTWORK • ARTWORKS • BLACK AND WHITE • BLACK-AND-WHITE • BLACK-WHITE • BOOK PRINTER • CADRE • CENTURIES • CENTURY • CRAFTING • DEPICTION • DEPICTIONS • DRAWING • DRAWINGS • FAUNA • FIGURE • FIGURES • GOOD • HAND • HANDCRAFT • HANDCRAFTED GOOD • HANDICRAFT • HANDICRAFTS • HANDMADE GOOD • HANDMADE GOODS • HANDS • HISTORIC • HISTORICAL • HISTORY • IMAGE MOTIF • IMAGES • IMPRESOR • IN PAINTINGS • INTERIORS: IN PAINTINGS • ITEM • ITEMS • LABOR • LABOUR • METHOD • METHODS • NATURE • OLD AGE • OLD • PAINT • PAINTING (ACTIVITY) • PAINTING • PAINTINGS • PAINTS • PICTURE • PICTURES • PRESSURE • PRESSURES • PRINT • PRINTER • PRINTERS • PRINTING METHOD • PRINTING METHODS • PRINTING • PRINTS • PROCEDURE • PROCEDURES • PROCESS • RENAISSANCE • SIXTEENTH CENTURY • SKETCH • TECHNIQUE • TECHNOLOGIES • TECHNOLOGY • TRADE: PRINTER • WILD ANIMAL • WILD ANIMALS • WILDLIFE • WOODBLOCK PRINT • WOODCUT • WOODCUTS • WORK • WORKING • WORKS • XVI CENTURY • XYLOGRAPH • XYLOGRAPHY