alb5144891

Hugo Erfurth, Paul Horst-Schulze, paper, oil print, picture size: height: 19,8 cm; width: 26 cm, stamp: verso and right: HUGO ERFURTH, KÖLN, DOMKLOSTER, GOLDSCHMIDTHAUS2, top right in lead: Horst-Schulze, Leipz. Academy; lower left in lead: c. 1917, (according to Oehmen); upper left in black crayon: 110, label: verso lower right: picture with text framing: 19 WIEN, PHOTOGRAPHISCHE, label damaged in half], upper right in lead: 1924, (according to B. Lohse); upper middle in lead: No. 1 Herbert Eulenberg; in the middle in blue colored pencil: 109-1; lower left: picture with text framing: 19 WIEN, PHOTOGRAPHISCHE A[ left with red colored pencil: 125/1, portrait photography, portrait, self-portrait of an artist, portrait, artist, painting, portrait, self-portrait of a painter, specific poses, gestures, facial expressions, Paul Horst-Schulze, At the beginning of the 20th century, Hugo Erfurth, along with Rudolph Dührkoop and Nicola Perscheid, was one of the most famous professional photographers in Germany. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, where.

Hugo Erfurth, Paul Horst-Schulze, paper, oil print, picture size: height: 19,8 cm; width: 26 cm, stamp: verso and right: HUGO ERFURTH, KÖLN, DOMKLOSTER, GOLDSCHMIDTHAUS2, top right in lead: Horst-Schulze, Leipz. Academy; lower left in lead: c. 1917, (according to Oehmen); upper left in black crayon: 110, label: verso lower right: picture with text framing: 19 WIEN, PHOTOGRAPHISCHE, label damaged in half], upper right in lead: 1924, (according to B. Lohse); upper middle in lead: No. 1 Herbert Eulenberg; in the middle in blue colored pencil: 109-1; lower left: picture with text framing: 19 WIEN, PHOTOGRAPHISCHE A[ left with red colored pencil: 125/1, portrait photography, portrait, self-portrait of an artist, portrait, artist, painting, portrait, self-portrait of a painter, specific poses, gestures, facial expressions, Paul Horst-Schulze, At the beginning of the 20th century, Hugo Erfurth, along with Rudolph Dührkoop and Nicola Perscheid, was one of the most famous professional photographers in Germany. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, where.
Share
pinterestPinterest
twitterTwitter
facebookFacebook
emailEmail

Add to another lightbox

Add to another lightbox

add to lightbox print share
Do you already have an account? Sign in
You do not have an account? Register
Buy this image
Loading...
Caption:
Hugo Erfurth, Paul Horst-Schulze, paper, oil print, picture size: height: 19,8 cm; width: 26 cm, stamp: verso and right: HUGO ERFURTH, KÖLN, DOMKLOSTER, GOLDSCHMIDTHAUS2, top right in lead: Horst-Schulze, Leipz. Academy; lower left in lead: c. 1917, (according to Oehmen); upper left in black crayon: 110, label: verso lower right: picture with text framing: 19 WIEN, PHOTOGRAPHISCHE, label damaged in half], upper right in lead: 1924, (according to B. Lohse); upper middle in lead: No. 1 Herbert Eulenberg; in the middle in blue colored pencil: 109-1; lower left: picture with text framing: 19 WIEN, PHOTOGRAPHISCHE A[ left with red colored pencil: 125/1, portrait photography, portrait, self-portrait of an artist, portrait, artist, painting, portrait, self-portrait of a painter, specific poses, gestures, facial expressions, Paul Horst-Schulze, At the beginning of the 20th century, Hugo Erfurth, along with Rudolph Dührkoop and Nicola Perscheid, was one of the most famous professional photographers in Germany. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, where
Credit:
Album / quintlox
Releases:
Model: No - Property: No
Rights questions?
Image size:
4320 x 3280 px | 40.5 MB
Print size:
36.6 x 27.8 cm | 14.4 x 10.9 in (300 dpi)
Keywords:
1 HERBERT EULENBERG 109-1 110 125 1894 ONWARDS 19 WIEN 1905 1906 1917 1920S ONWARD 1924 20 XX TWENTIETH CENTURY 20TH CENTURY 20TH ACADEMY ACCORDING AGE ÂGÉS APPEALING APPRENTICESHIP ARCHIVE ARCHIVES ART COLLECTION ART-PHOTOGRAPHIC TRADITION ARTFORM ARTIST ARTISTE ARTISTICALLY ENNOBLED AMATEUR ATMOSPHERIC WAY B BEGAN TAKING BLACK CRAYON BLUE COLORED PENCIL BUILDS UP C CALLING CATHRIN HAUSWALD CENTRAL CLASSICAL MODERNISM CLASSICIST PALACE CO-FOUNDER COLOGNE STUDIO COLOGNE COMPLETING DESTROYED DOMKLOSTER DRESDEN ERFURTH RESCUED ERFURTH FACE FACIAL EXPRESSIONS FAMOUS PERSONALITIES FAMOUS PROFESSIONAL PHOTOGRAPHERS FOCUS FOCUSING FULL-LENGTH FIGURES DEPICTED GAIENHOFEN GERMANY GESELLSCHAFT DEUTSCHER LICHTBILDNER GESTURE GESTURES GOLDSCHMIDTHAUS2 HALF HORST-SCHULZE HUGO ERFURTH JOACHIM RINGELNATZ KÄTHE KOLLWITZ KÖLN LABEL DAMAGED LABEL LAKE CONSTANCE LEAD LEFT LEIPZ LEIPZIG ACADEMY LOHSE LOWER LEFT MANAGED MATERIALITY MIDDLE MOVES NAME NEW STUDIO NICOLA PERSCHEID NO NUMEROUS AMATEUR PHOTOGRAPHIC EXHIBITIONS OEHMEN OIL PRINT OIL PRINTING EMPHASIZES OLD OPEN OPENED OTTO DIX OWN STUDIO PAINT PAINTER PAINTING PAPER AND PACKAGE PRODUCTS PAPER PARTICIPATED PAUL HORST-SCHULZE PHOTOGRAPHED PHOTOGRAPHER PHOTOGRAPHISCHE A PHOTOGRAPHISCHE PICTORIAL APPROACH CORRESPONDS PICTURE SIZE PICTURE PIGMENTS PORTRAIT PHOTOGRAPHY PORTRAIT PORTRAITS POTRAIT PRODUCED NUMEROUS PORTRAITS RED COLORED PENCIL RIGHT RUDOLPH DÜHRKOOP SECOND WORLD WAR SELF PORTRAIT SELF-PORTRAIT SELFPORTRAIT SIMPLE MONOCHROME BACKGROUND SOFTNESS SOON ERFURTH ORIENTATED SPECIFIC POSES STAMP STUDIES STYLISHLY ELEGANT AMBIENCE SUCCESSFUL PROFESSIONAL PHOTOGRAPHER TECHNICAL TECHNIQUE TECHNOLOGY TEHNOLOGY TEXT FRAMING THE TIME PLACES TOP RIGHT TOWARDS TWENTIETH CENTURY UP-AND-COMING PICTORIALIST PHOTOGRAPHY UPPER LEFT UPPER MIDDLE UPPER RIGHT VERSO LOWER RIGHT VERSO VISAGE WEALTHY BOURGEOISIE WHEREBY WORK