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The painting of Liber Pater, recognizable from his castellated crown, the branch in his hands and his shoes, and Libera (not Pompeian Venus, the tutelary goddess of the city) comes from the facade of a building. The construction of a temple, and the equipament used by fullers can be seen in the background. The electoral inscriptions in support of C. Iulius Polybius and C. Lollius Fuscus, date to Ad 73 and Ad 78 respectively. Pompeii, southern facade f VI. National Archaeological Museum. Naples. Italy.

The painting of Liber Pater, recognizable from his castellated crown, the branch in his hands and his shoes, and Libera (not Pompeian Venus, the tutelary goddess of the city) comes from the facade of a building. The construction of a temple, and the equipament used by fullers can be seen in the background. The electoral inscriptions in support of C. Iulius Polybius and C. Lollius Fuscus, date to Ad 73 and Ad 78 respectively. Pompeii, southern facade f VI. National Archaeological Museum. Naples. Italy.
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Caption:
The painting of Liber Pater, recognizable from his castellated crown, the branch in his hands and his shoes, and Libera (not Pompeian Venus, the tutelary goddess of the city) comes from the facade of a building. The construction of a temple, and the equipament used by fullers can be seen in the background. The electoral inscriptions in support of C. Iulius Polybius and C. Lollius Fuscus, date to Ad 73 and Ad 78 respectively. Pompeii, southern facade f VI. National Archaeological Museum. Naples. Italy.
Credit:
Album / Prisma
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Image size:
3881 x 2932 px | 32.6 MB
Print size:
32.9 x 24.8 cm | 12.9 x 9.8 in (300 dpi)
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