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Amedeo Modigliani: Léopold Zborowksi, Amedeo Modigliani, 1919, Oil on canvas, Leopold Zborowski was a Polish-born artist, poet, and art dealer who moved to Paris in 1913. He began acting as Modigliani's manager in 1916, commissioning and selling his works and turning a large room in his apartment into a studio for the artist. Modigliani painted three portraits of Zborowski. In this one, the last of the three, we see the stylized features that are characteristic of Modigliani's work: an elegantly elongated neck, icy-blue eyes, a prominent, narrow nose, and a small mouth set within a heart-shaped face. Positioned in an ambiguous interior space, there is little to distract from the dealer's pensive stare; the up-close presentation also suggests the intimate personal relationship between Modigliani and his sitter., Overall: 21 3/4 x 15 3/16 in. (55.2 x 38.5 cm).

Amedeo Modigliani: Léopold Zborowksi, Amedeo Modigliani, 1919, Oil on canvas, Leopold Zborowski was a Polish-born artist, poet, and art dealer who moved to Paris in 1913. He began acting as Modigliani's manager in 1916, commissioning and selling his works and turning a large room in his apartment into a studio for the artist. Modigliani painted three portraits of Zborowski. In this one, the last of the three, we see the stylized features that are characteristic of Modigliani's work: an elegantly elongated neck, icy-blue eyes, a prominent, narrow nose, and a small mouth set within a heart-shaped face. Positioned in an ambiguous interior space, there is little to distract from the dealer's pensive stare; the up-close presentation also suggests the intimate personal relationship between Modigliani and his sitter., Overall: 21 3/4 x 15 3/16 in. (55.2 x 38.5 cm).
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Caption: Amedeo Modigliani: Léopold Zborowksi, Amedeo Modigliani, 1919, Oil on canvas, Leopold Zborowski was a Polish-born artist, poet, and art dealer who moved to Paris in 1913. He began acting as Modigliani's manager in 1916, commissioning and selling his works and turning a large room in his apartment into a studio for the artist. Modigliani painted three portraits of Zborowski. In this one, the last of the three, we see the stylized features that are characteristic of Modigliani's work: an elegantly elongated neck, icy-blue eyes, a prominent, narrow nose, and a small mouth set within a heart-shaped face. Positioned in an ambiguous interior space, there is little to distract from the dealer's pensive stare; the up-close presentation also suggests the intimate personal relationship between Modigliani and his sitter., Overall: 21 3/4 x 15 3/16 in. (55.2 x 38.5 cm)
Personalities: SEE
Credit: Album / quintlox
Releases: ? Model Release: No - ? Property Release: No
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Image size: 4380 × 6355 px | 79.6 MB
Print size: 37.1 × 53.8 cm | 1724.4 × 2502.0 in (300 dpi)
Keywords: 1913 • 1916 • 1919 • AMBIGUOUS INTERIOR SPACE • AMEDEO MODIGLIANI • APARTMENT • ART DEALER • ARTIST • ARTISTE • BEGAN ACTING • CANVAS • CHARACTERISTIC • COMMISSIONING • DEALER'S PENSIVE STARE • DISTRACT • ELEGANTLY ELONGATED NECK • FEATURES • HEART-SHAPED FACE • ICY-BLUE EYES • INTIMATE PERSONAL RELATIONSHIP • LARGE ROOM • LAST • LÉOPOLD ZBOROWKSI • LEOPOLD ZBOROWSKI • LITTLE • MODIGLIANI PAINTED THREE PORTRAITS • MODIGLIANI'S MANAGER • MODIGLIANI'S WORK • MODIGLIANI • MOVED • NARROW NOSE • OIL • PARIS • POET • POLISH-BORN ARTIST • POSITIONED • PROMINENT • PURCHASE • SALE • SEE • SELL • SELLING • SITTER • SMALL MOUTH SET WITHIN • STUDIO • STYLIZED FEATURES • THREE • TURNING • UP-CLOSE PRESENTATION • WORKS • ZBOROWSKI