alb4586217

Italian Renaissance wood mosaic, (1898). Creator: Unknown.

Italian Renaissance wood mosaic, (1898). Fig 1: From the choir-stalls in S. Anastasia at Verona. Fig 2: From the dado of the vestry-shrines in S. Maria in Organo ibid. Figs 3-7: From the choir-stalls ibid.Fig 8: From the choir-stalls in Monte Oliveto maggiore. Figs 9-10: From the choir-stalls in S. Petronio at Bologna. (Ground of the centre-compartments black). Figs 11-13: From the choir-stalls in the Certosa near Pavia. (In Fig 12 ground black)...Wood-carving in general was highly flourishing, as is known, in the Renaissance-period, especially however (in the highest degree) one branch of it, termed Intarsia, i. e. inlaid wood-work, with which stalls, shrines in vestries etc., were most richly decorated...'. Plate 48 from "The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898].

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Title:

Italian Renaissance wood mosaic, (1898). Creator: Unknown.

Caption:

Italian Renaissance wood mosaic, (1898). Fig 1: From the choir-stalls in S. Anastasia at Verona. Fig 2: From the dado of the vestry-shrines in S. Maria in Organo ibid. Figs 3-7: From the choir-stalls ibid.Fig 8: From the choir-stalls in Monte Oliveto maggiore. Figs 9-10: From the choir-stalls in S. Petronio at Bologna. (Ground of the centre-compartments black). Figs 11-13: From the choir-stalls in the Certosa near Pavia. (In Fig 12 ground black)...Wood-carving in general was highly flourishing, as is known, in the Renaissance-period, especially however (in the highest degree) one branch of it, termed Intarsia, i. e. inlaid wood-work, with which stalls, shrines in vestries etc., were most richly decorated...'. Plate 48 from "The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]

Credit:

Album / The Print Collector/Heritage Images

Releases:

Model: No - Property: No
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Image size:

3843 x 5799 px | 63.8 MB

Print size:

32.5 x 49.1 cm | 12.8 x 19.3 in (300 dpi)

Keywords:

16 16TH XVI XVITH SIXTEENTH CENTURY • 16 CENTURY • 16TH CENTURY • 16TH • 19TH CENTURY • AMORINI • ANGELIC • ART • ARTFORM: INTARSIA • ARTS • B T BATSFORD • B T • B. T. BATSFORD • B. T. • BATSFORD • BLACK & WHITE • BLACK AND WHITE • BOOK • BT BATSFORD • BT • CENTURY • CHERUB • CHERUBS • CHRISTIANISM • CHRISTIANITY • CHURCH • CONCEPT • COUNTRY • CRISTIANDAD • CRISTIANISMO • DECORATIVE • DESIGN • DOLMETSCH • E HOCHDANZ • E. HOCHDANZ • E. • ECCLESIA • FLORAL • FLOWERED • FOLIAGE • H DOLMETSCH • H • H. DOLMETSCH • HEINRICH DOLMETSCH • HEINRICH • HISTORIC STYLES OF ORNAMENT • HOCHD • HOCHDANZ • INDOORS • INLAID • INLAY • INLAYING • INSIDE • INTARSIA • INTERIOR DECORATION • INTERIOR DESIGN • INTERIOR • ITALIA • ITALIAN • ITALY • LITERATURE • LOCATION • MARQUETRY • MOSAIC • NINETEENTH CENTURY • PATTERN • PATTERNED • PUTTI • PUTTO • QUERUBIN • RELIGION • RELIGIOUS • RENAISSANCE • SEPIA • SIXTEENTH CENTURY • STYLISED • SYMMETRICAL • SYMMETRY • WOOD • WOODEN