Woodcut, Sus biceps, two-headed pig, Aldrovandi, Historia Monstrorum, 1642, Renaissance.

1600S, THE • 17TH CENTURY • 2 • ABNORMALITIES • AGE • ÂGÉS • ART PRINT • ART PRINTS • ART • ARTS AND CRAFTS • ARTS • ARTWORK • ARTWORKS • BEHEAD AN EGG • BEHEADING • BEHEADS • BICEP • BICEPS • BIOLOGY • BLACK AND WHITE • BLACK-AND-WHITE • BLACK-WHITE • BOOK PRINTER • CADRE • CENTURIES • CENTURY • CRAFTING • DECAPITATION • DEFORMITIES • DEFORMITY • DEPICTION • DEPICTIONS • DRAWING • DRAWINGS • FANTASY • GOOD • HAND • HANDCRAFT • HANDCRAFTED GOOD • HANDICRAFT • HANDICRAFTS • HANDMADE GOOD • HANDMADE GOODS • HANDS • HISTORIC • HISTORICAL • HISTORY • IMAGE MOTIF • IMAGES • IMAGINATION • IMAGINE • IMAGINES • IMAGINING • IMPRESOR • IN PAINTINGS • INTERIORS: IN PAINTINGS • ITEM • ITEMS • LABOR • LABOUR • METHOD • METHODS • MUTATION • MUTATIONS • MYTHICAL CREATURE • MYTHICAL CREATURES • NATURAL HISTORY • NATURAL SCIENCE • NATURAL SCIENCES • NATURAL SCIENTIFIC • NATURE STUDY • OLD AGE • OLD • PAINT • PAINTING (ACTIVITY) • PAINTING • PAINTINGS • PAINTS • PICTURE • PICTURES • PIG FIGURE • PIG FIGURES • PIG • PIGS • PRESSURE • PRESSURES • PRINT • PRINTER • PRINTERS • PRINTING METHOD • PRINTING METHODS • PRINTING • PRINTS • PROCEDURE • PROCEDURES • PROCESS • RENAISSANCE • SCIENCE • SCIENCES • SCIENTIFIC RESEARCH • SCIENTIFIC • SEVENTEENTH CENTURY • SKETCH • SUS • TECHNIQUE • TECHNOLOGIES • TECHNOLOGY • TRADE: PRINTER • TWO • TWO-HEADED • WOODCUT • WOODCUTS • WORK • WORKING • WORKS • XYLOGRAPH • XYLOGRAPHY