alb3615654

ASHER BROWN DURAND. Landscape--Scene from "Thanatopsis"

Landscape--Scene from "Thanatopsis". Artist: Asher Brown Durand (American, Jefferson, New Jersey 1796-1886 Maplewood, New Jersey). Dimensions: 39 1/2 x 61 in. (100.3 x 154.9 cm). Date: 1850.
Inspired by William Cullen Bryant's poem "Thanatopsis," this landscape  was first exhibited at the National Academy of Design in 1850. The  catalogue noted lines from Bryant's poem. After the exhibition, the  picture was acquired by the American Art-Union and distributed in the  same year to one of its subscribers. Durand's son noted that after  this his father got the picture back, repainted parts of it, and sold  it to Mr. B.F. Gardner. Durand briefly resumed painting large  philosophical landscapes after the death of Thomas Cole, using his  works as models. The presence of a funeral, of a farmer's daily work,  and of the ruins of man in ancient nature reflects the poem's emphasis  on the permanence of the earth and the creation and reversion of man  from and to its soils.
Share
pinterestPinterest
twitterTwitter
facebookFacebook
emailEmail

Add to another lightbox

Add to another lightbox

add to lightbox print share
Do you already have an account? Sign in
You do not have an account? Register
Buy this image
Loading...
Title:
Landscape--Scene from "Thanatopsis"
Caption:
Landscape--Scene from "Thanatopsis". Artist: Asher Brown Durand (American, Jefferson, New Jersey 1796-1886 Maplewood, New Jersey). Dimensions: 39 1/2 x 61 in. (100.3 x 154.9 cm). Date: 1850. Inspired by William Cullen Bryant's poem "Thanatopsis," this landscape was first exhibited at the National Academy of Design in 1850. The catalogue noted lines from Bryant's poem. After the exhibition, the picture was acquired by the American Art-Union and distributed in the same year to one of its subscribers. Durand's son noted that after this his father got the picture back, repainted parts of it, and sold it to Mr. B.F. Gardner. Durand briefly resumed painting large philosophical landscapes after the death of Thomas Cole, using his works as models. The presence of a funeral, of a farmer's daily work, and of the ruins of man in ancient nature reflects the poem's emphasis on the permanence of the earth and the creation and reversion of man from and to its soils.
Technique/material:
OIL ON CANVAS
Museum:
Metropolitan Museum of Art, New York, USA
Credit:
Album / Metropolitan Museum of Art, NY
Releases:
Model: No - Property: No
Rights questions?
Image size:
6054 x 3929 px | 68.1 MB
Print size:
51.3 x 33.3 cm | 20.2 x 13.1 in (300 dpi)