ALONSO CANO. SAN ANTONIO DE PADUA, 1653/57, TALLA EN MADERA POLICROMADA, 199x72x98, PROCEDENCIA CONVENTO DEL ANGEL CUSTODIO, RESTAURADO EN EL AÑO 2202

SAN ANTONIO DE PADUA, 1653/57, TALLA EN MADERA POLICROMADA, 199x72x98, PROCEDENCIA CONVENTO DEL ANGEL CUSTODIO, RESTAURADO EN EL AÑO 2202

13TH CENTURY • 13TH • 17TH CENTURY • 17TH • ADOLESCENCE • AFTER RESTORE • ANDALUSIAN BAROQUE • BAREFOOT • BAROQUE (UNCLASSIFIED) • BAROQUE SCULPTURE • BAROQUE STYLE • BAROQUE • BOY • BOYS • CANO, ALONZO • CARVING • CHARACTER • CHARACTERS • CHILD • CHILDHOOD • CHILDREN • CLASSIC CATHOLIC • CLERGYMAN • CLERIC • COURTYARD • CUT (TAILORING) • CUT • CUTAWAY • CUTTING • ECCLESIASTICAL • FIGURE • FIGURES • FIGURINE • FOOT FEET • FOOT • FRANCISCAN FRIARS • FRANCISCAN HABIT • FRANCISCAN • GRANADA • HABITO • INFANT JESUS • INFANT • KID • KIDS • LITTLE GIRL • LUMBER • MONK'S HABIT • MORNING COAT • MUSEUM OF FINE ARTS GRENADE • MUSEUM OF FINE ARTS • NAKED BOY • OFFSPRING • PERSONAJE • PERSONALITY • PIECE • POLICROMIA • POLYCHROME SCULPTURE • POLYCHROMY • PRUNING • RELIGIOUS CARVING • RELIGIOUS SCULPTURE • RELIGIOUS • SAINT • SCULPTED • SCULPTING • SCULPTURE • SCULPTURE. • SLICING • SPAIN • SPANISH BAROQUE • SPANISH SCULPTURE • ST. ANTHONY • STATUETTE • TIMBER • WOOD • WOODEN • XIII CENTURY • XVII CENTURY • YOUTH