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GOYA (FRANCISCO DE GOYA Y LUCIENTES). Plate 43 from 'Los Caprichos': The sleep of reason produces monsters (El sueño de la razon produce monstruos)

Plate 43 from 'Los Caprichos': The sleep of reason produces monsters (El sueño de la razon produce monstruos). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 3/8 x 5 15/16 in. (21.2 x 15.1 cm)
Sheet: 11 5/8 x 8 1/4 in. (29.5 x 21 cm). Series/Portfolio: Los Caprichos. Date: 1799.
This is the best known image from Goya's series of 80 aquatint etchings published in 1799 known as 'Los Caprichos' that are generally understood as the artist's criticism of the society in which he lived. Goya worked on the series from around 1796-98 and many drawings for the prints survive. The inscription on the preparatory drawing for this print, now in the Prado Museum in Madrid, indicates that it was originally intended as the title page to the series. In the published edition, this print became plate 43, the number we can see in the top right corner. Nevertheless, it has come to symbolise the overall meaning of the series, what happens when reason is absent. Various animals including bats and owls fly above the sleeping artist, and at the lower right a lynx watches vigilantly alerting us to the rise of monstrous forces that we are able to control when sleep descends.

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Author:

GOYA (FRANCISCO DE GOYA Y LUCIENTES) (1746-1828)

Title:

Plate 43 from 'Los Caprichos': The sleep of reason produces monsters (El sueño de la razon produce monstruos)

Caption:

Plate 43 from 'Los Caprichos': The sleep of reason produces monsters (El sueño de la razon produce monstruos). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 3/8 x 5 15/16 in. (21.2 x 15.1 cm) Sheet: 11 5/8 x 8 1/4 in. (29.5 x 21 cm). Series/Portfolio: Los Caprichos. Date: 1799. This is the best known image from Goya's series of 80 aquatint etchings published in 1799 known as 'Los Caprichos' that are generally understood as the artist's criticism of the society in which he lived. Goya worked on the series from around 1796-98 and many drawings for the prints survive. The inscription on the preparatory drawing for this print, now in the Prado Museum in Madrid, indicates that it was originally intended as the title page to the series. In the published edition, this print became plate 43, the number we can see in the top right corner. Nevertheless, it has come to symbolise the overall meaning of the series, what happens when reason is absent. Various animals including bats and owls fly above the sleeping artist, and at the lower right a lynx watches vigilantly alerting us to the rise of monstrous forces that we are able to control when sleep descends.

Technique/material:

Etching, aquatint, drypoint, and burin

Museum:

Metropolitan Museum of Art, New York, USA

Credit:

Album / Metropolitan Museum of Art, NY

Releases:

Model: No - Property: No
Rights questions?

Image size:

2958 x 4032 px | 34.1 MB

Print size:

25.0 x 34.1 cm | 9.9 x 13.4 in (300 dpi)

Keywords:

AQUATINT • AQUATINT, ETCHING • BURINS • DRAWINGS AND PRINTS • DRYPOINTS • ENGRAVED • ENGRAVING (ARTWORK) • ENGRAVING • ENGRAVING. • ENGRAVINGS • ETCHED ENGRAVING • ETCHING • ETCHING, AQUATINT, DRYPOINT, AND BURIN • EUROPE • GOYA (FRANCISCO DE GOYA Y LUCIENTES) • INTAGLIO PRINTS • MADRID • METROPOLITAN MUSEUM OF ART, NEW YORK, USA • PRINT • PRINTS • SPAIN