NICHOLAS ROERICH. The Polovtsian camp. Stage design for the opera Prince Igor by A. Borodin.

ALEXANDER BORODIN • BALLET • BATTLE • BORODIN • CLASSICAL MUSIC • CUMAN-KIPCHAK • CUMANS • FIELD • HISTORY OF RUSSIA • IGOR I OF KIEV • IGOR I • IGOR OF KIEV • IGOR RURIKOVICH • IGOR SVYATOSLAVICH THE BRAVE • IGOR SVYATOSLAVICH • KHAN KONCHAK • KIEV, IGOR OF • KIEVAN RUS • KIPCHAKS • KONCHAK • KYPCHAKS • MUSIC INSTRUMENTS • MUSIC • MUSICAL INSTRUMENT • MUSICAL INSTRUMENTS • MUSICAL_INSTRUMENTS • NICHOLAS ROERICH • OPERA HOUSE • OPERA • OPERAHOUSE, ALL • PAINTING • POLOVETSIAN DANCES • POLOVTSIAN DANCES • POLOVTSIAN TRIBES • POLOVTSIANS • POLOVTSY • PRINCE IGOR • RERICH • ROERICH • ROERICH, NICHOLAS • RUSIA • RUSSIA • RUSSIAN HISTORY • RUSSIAN MUSIC • SCENIC DESIGN • SCENIC PAINTING • SET DESIGN • STAGE DESIGN • STAGE • STATE CENTRAL M. GLINKA MUSEUM OF MUSIC, MOSCOW • SYMBOLISM • TALE OF IGOR'S CAMPAIGN • TEMPERA ON PAPER • THEATRE • THEATRICAL SCENIC PAINTING