alb5148010

Hugo Erfurth, Richard Dehmel, from the album Ausstellung Hugo Erfurth - Bildnisse aus dem XX. Jahrhundert, Konstanz 1949, silver gelatin paper, black and white positive process, passepartout : height: 22.8 cm; width: 17.5 cm, inscribed: Passepartout recto u. in the middle: in typescript on Japan paper: H u g o E r f u r t h, '''Richard Dehmel'', stamp: Passepartout verso and left: inscribed: Passepartout verso and: in lead: (around 1910), gelatin silver, repro no, portrait photography, portrait, wreath, garland, At the beginning of the 20th century, Hugo Erfurth, along with Rudolph Dührkoop and Nicola Perscheid, was one of the most famous professional photographers in Germany. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Cologne in the 1930s, where he bui.

Hugo Erfurth, Richard Dehmel, from the album Ausstellung Hugo Erfurth - Bildnisse aus dem XX. Jahrhundert, Konstanz 1949, silver gelatin paper, black and white positive process, passepartout : height: 22.8 cm; width: 17.5 cm, inscribed: Passepartout recto u. in the middle: in typescript on Japan paper: H u g o E r f u r t h, '''Richard Dehmel'', stamp: Passepartout verso and left: inscribed: Passepartout verso and: in lead: (around 1910), gelatin silver, repro no, portrait photography, portrait, wreath, garland, At the beginning of the 20th century, Hugo Erfurth, along with Rudolph Dührkoop and Nicola Perscheid, was one of the most famous professional photographers in Germany. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Cologne in the 1930s, where he bui.
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Caption:
Hugo Erfurth, Richard Dehmel, from the album Ausstellung Hugo Erfurth - Bildnisse aus dem XX. Jahrhundert, Konstanz 1949, silver gelatin paper, black and white positive process, passepartout : height: 22.8 cm; width: 17.5 cm, inscribed: Passepartout recto u. in the middle: in typescript on Japan paper: H u g o E r f u r t h, '''Richard Dehmel'', stamp: Passepartout verso and left: inscribed: Passepartout verso and: in lead: (around 1910), gelatin silver, repro no, portrait photography, portrait, wreath, garland, At the beginning of the 20th century, Hugo Erfurth, along with Rudolph Dührkoop and Nicola Perscheid, was one of the most famous professional photographers in Germany. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Cologne in the 1930s, where he bui
Credit:
Album / quintlox
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Image size:
3330 x 4320 px | 41.2 MB
Print size:
28.2 x 36.6 cm | 11.1 x 14.4 in (300 dpi)
Keywords:
'''RICHARD DEHMEL'' 1894 ONWARDS 1905 1906 1910 1920S ONWARD 20 XX TWENTIETH CENTURY 20TH CENTURY 20TH AGE ÂGÉS ALBUM AUSSTELLUNG HUGO ERFURTH APPEALING APPRENTICESHIP ARCHIVE ARCHIVES ART COLLECTION ART-PHOTOGRAPHIC TRADITION ARTFORM ARTISTICALLY ENNOBLED AMATEUR ATMOSPHERIC WAY BEGAN TAKING BILDNISSE AUS DEM XX BLACK PERSON BLACK RACE BLACK BUILDS UP CALLING CATHRIN HAUSWALD CENTRAL CLASSICAL MODERNISM CLASSICIST PALACE CO-FOUNDER COLOGNE STUDIO COLOGNE COMPLETING DESTROYED DRESDEN ERFURTH RESCUED ERFURTH FACE FAMOUS PERSONALITIES FAMOUS PROFESSIONAL PHOTOGRAPHERS FOCUS FOCUSING FULL-LENGTH FIGURES DEPICTED GAIENHOFEN GARLAND GELATIN SILVER GERMANY GESELLSCHAFT DEUTSCHER LICHTBILDNER H U G O E R F U R T H HUGO ERFURTH IN LEAD IN TYPESCRIPT INSCRIBED JAHRHUNDERT JAPAN PAPER JOACHIM RINGELNATZ KONSTANZ 1949 KÄTHE KOLLWITZ LAKE CONSTANCE LEFT LEIPZIG ACADEMY MANAGED MATERIALITY MIDDLE MOVES NAME NEGRA NEW STUDIO NICOLA PERSCHEID NUMEROUS AMATEUR PHOTOGRAPHIC EXHIBITIONS OIL PRINTING EMPHASIZES OLD OPEN OPENED OTTO DIX OWN STUDIO PARTICIPATED PASSEPARTOUT IN PASSEPARTOUT VERSO AND PASSEPARTOUT VERSO PASSEPARTOUT PHOTOGRAPHED PHOTOGRAPHER PICTORIAL APPROACH CORRESPONDS PIGMENTS PORTRAIT PHOTOGRAPHY PORTRAIT PORTRAITS POTRAIT PRODUCED NUMEROUS PORTRAITS RICHARD DEHMEL RUDOLPH DÜHRKOOP SECOND WORLD WAR SILVER GELATIN PAPER SIMPLE MONOCHROME BACKGROUND SOFTNESS SOON ERFURTH ORIENTATED STAMP STUDIES STYLISHLY ELEGANT AMBIENCE SUCCESSFUL PROFESSIONAL PHOTOGRAPHER TECHNICAL TECHNIQUE TECHNOLOGY TEHNOLOGY THE TIME PLACES TOWARDS TWENTIETH CENTURY UP-AND-COMING PICTORIALIST PHOTOGRAPHY VISAGE WEALTHY BOURGEOISIE WHEREBY WHITE POSITIVE PROCESS WORK WREATH