alb4572226
Italian Renaissance embroidery and carpet-weaving, (1898). Creator: Unknown.
![Italian Renaissance embroidery and carpet-weaving, (1898). 'Fig 1: Embroidery on an ecclesiastical mantle in 'S. Croce at Florence'. Fig 2: Embroidered little velvet cover in the 'Museum vaterländischer Altertümer' at Stuttgart. Fig 3: Embroidered velvet-border from a chasuble, ibid. Fig 4: Silk-embroidery in appliqué work from a chasuble, ibid. Fig 5: Relief-embroidery in gold upon silk from a chasuble, ibid. Figs 6 and 7: Silk-embroideries in appliqué work upon damask-ground. Fig 8: Carpet-border from a Venetian picture at Verona. Fig 9: Carpet-border from a picture by Paolo Giolfino in the museum, ibid. Fig 10: Carpet-border from a picture by Moroni in the Pinacothec at Munich. Embroidery, either appliqué or flat work, the latter frequently relief-like, took its motives [motifs] from the same sources as the hitherto treated branches of art, and it also united with the mere ornament proper images, especially in form of medallions. Carpet-weaving, inasmuch as it is not fancy-weaving, but applying geometric or vegetable designs, follows in the main features Byzantine and Oriental examples'. Plate 51 from "The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898].](/photos/prev/YjQ4YWFiMA/album_alb4572226.webp)
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Title:
Italian Renaissance embroidery and carpet-weaving, (1898). Creator: Unknown.
Caption:
Italian Renaissance embroidery and carpet-weaving, (1898). 'Fig 1: Embroidery on an ecclesiastical mantle in 'S. Croce at Florence'. Fig 2: Embroidered little velvet cover in the 'Museum vaterländischer Altertümer' at Stuttgart. Fig 3: Embroidered velvet-border from a chasuble, ibid. Fig 4: Silk-embroidery in appliqué work from a chasuble, ibid. Fig 5: Relief-embroidery in gold upon silk from a chasuble, ibid. Figs 6 and 7: Silk-embroideries in appliqué work upon damask-ground. Fig 8: Carpet-border from a Venetian picture at Verona. Fig 9: Carpet-border from a picture by Paolo Giolfino in the museum, ibid. Fig 10: Carpet-border from a picture by Moroni in the Pinacothec at Munich. Embroidery, either appliqué or flat work, the latter frequently relief-like, took its motives [motifs] from the same sources as the hitherto treated branches of art, and it also united with the mere ornament proper images, especially in form of medallions. Carpet-weaving, inasmuch as it is not fancy-weaving, but applying geometric or vegetable designs, follows in the main features Byzantine and Oriental examples'. Plate 51 from "The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]
Technique/material:
CHROMOLITHOGRAPHY • LITHOGRAPH
Credit:
Album / The Print Collector/Heritage Images
Releases:
Model: No - Property: No
Rights questions?
Rights questions?
Image size:
3720 x 5802 px | 61.8 MB
Print size:
31.5 x 49.1 cm | 12.4 x 19.3 in (300 dpi)
Keywords:
16 16TH XVI XVITH SIXTEENTH CENTURY • 16 CENTURY • 16TH CENTURY • 16TH • 19TH CENTURY • ART • ARTS • B T BATSFORD • B T • B. T. BATSFORD • B. T. • BATSFORD • BOOK • BT BATSFORD • BT • CARPET • CARPETS • CENTURY • CHRISTIANISM • CHRISTIANITY • CHROMOLITHOGRAPH • CHROMOLITHOGRAPHY • COLOR • COLOUR • COUNTRY • CRISTIANDAD • CRISTIANISMO • DECORATIVE • DESIGN • DOLMETSCH • E HOCHDANZ • E. HOCHDANZ • E. • ECCLESIASTICAL DRESS • ECCLESIASTICAL • EMBROIDERY • FLORAL • FLOWERED • FOLIAGE • GERMAN • GERMANS • GERMANY • H DOLMETSCH • H • H. DOLMETSCH • HEINRICH DOLMETSCH • HEINRICH • HISTORIC STYLES OF ORNAMENT • HOCHD • HOCHDANZ • INDOORS • INSIDE • INTERIOR DECORATION • INTERIOR DESIGN • INTERIOR • ITALIA • ITALIAN • ITALY • LITERATURE • LITHOGRAPH • LOCATION • NINETEENTH CENTURY • PATTERN • PATTERNED • RELIGION • RELIGIOUS • RENAISSANCE • SIXTEENTH CENTURY • SOFT FURNISHING • STYLISED • TEXTILES • WEAVING
