alb4275208
Maria Guadalupe de Lencastre y Cardenas Manrique, duchess of Aveiro (1630-1715). Noblewoman of Portuguese origin. Portrait ascribed to Circle of Juan Carre–o de Miranda, 1706. San Fernando Royal Academy of Fine Arts. Madrid. Spain.
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Caption:
Maria Guadalupe de Lencastre y Cardenas Manrique, duchess of Aveiro (1630-1715). Noblewoman of Portuguese origin. Portrait ascribed to Circle of Juan Carre–o de Miranda, 1706. San Fernando Royal Academy of Fine Arts. Madrid. Spain.
Personalities:
Credit:
Album / Prisma
Releases:
Model: No - Property: No
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Rights questions?
Image size:
2787 x 3065 px | 24.4 MB
Print size:
23.6 x 26.0 cm | 9.3 x 10.2 in (300 dpi)
Keywords:
1706 • 17TH CENTURY • 17TH • 18TH CENTURY • 18TH CENTURY, THE • 18TH • AGE • ARISTOCRACY • ARISTOCRAT • ART • ARTS • ASCRIBED • BAROQUE STYLE • BAROQUE • CADRE • CAPITAL • CARRE–O DE MIRANDA • CARRENO DE MIRANDA • CIRCLE OF JUAN CARRE–O DE MIRANDA • CIRCLE OF JUAN CARRENO DE MIRANDA • CLOTHES • CLOTHING • CLOTHINGS • COMMUNITY OF MADRID • COSTUME • COVER (CLOTHES) • DRESS • DRESSED • DUCHESS OF AVEIRO • DUCHESS • ELDERLY PEOPLE • ELDERLY • EUROPA • EUROPE • EUROPEA • EUROPEAN • EUROPEANS • FACE • GARMENT • HABIT • HEADDRESS • HISTORIA UNIVERSAL • HISTORIA • HISTORY • IMAGES • IN PAINTINGS • INDUMENTARIA • INTERIORS: IN PAINTINGS • JUAN CARRENO DE MIRANDA • LEGEND • LENCASTRE • MADRID CITY • MADRID • MARIA GUADALUPE DE LENCASTRE Y CARDENAS MANRIQUE • MATURITY • MODERN AGE • MODERN ERA • MODERN PERIOD • MUJER • MUSEUM • MUSEUMS • NOBILITY • NOBLE • NOBLEMAN • NOBLES • NOBLESSE • NOBLEWOMAN • OIL ON CANVAS • OLD MAN • PAINT • PAINTING (ACTIVITY) • PAINTING • PAINTINGS • PICTURE • PICTURES • PORTRAIT • PORTUGAL • PORTUGUESE • POTRAIT • PRINCIPLES • REAL ACADEMIA BELLAS ARTES SAN FERNANDO • REAL ARTS ACADEMY SAN FERNANDO • ROBE • ROYALS • S. XVII • SAN FERNANDO ROYAL ACADEMY OF FINE ARTS • SPAIN • STYLE • SUIT • TRANSPARENCE • TRANSPARENCY • TRANSPARENT • VEIL (CLOTHING) • VEIL • VISAGE • WIDOW • WOMAN'S • WOMAN • WOMEN'S • WOMEN • WOMENS • XVII CENTURY • XVIII CENTURY
