alb5068801

jewelery box, Anonymous, 17th century, ebony, velor, mirror glass, brass, silver, General: 27.5 x 29.5 x 21cm 275 x 295 x 210mm, allegory, Jewelery box or cabinet of curiosities with hinged lid and swinging door. The box is rectangular in shape, standing on a profiled plinth on spherical legs. The walls are made of composite profiled panels with pilasters at the corners. The highly profiled high cushion-shaped lid is attached with brass-cut open hinges. The front is lowerable. The interior consists of five drawers with two arcades in the middle bordered by three Tuscan colonets and an extendable shelf covered with red velvet and a mirror in the back. Two drawers on either side of the arcades and a drawer at the bottom across the entire width of the box. At the top two drawers on the compartment under the lid. The drawers have profiled ebony edges and the panels are decorated with silver engraved panels with arabesques, leaf and flower motifs. Inside cushions with red velor. In the panel on the inside of the door, a depiction of the life of Saint John is depicted in three scenes in arcade arches crowned with putti cups in the fins. Around it a band with arabesques. On the inside of the lid are three panels with a mirror and lings in the middle and an arcade on the right surrounded by rabesks, squirrels and fruit motifs and crowned with putti cups. In the arcade on the left Peace with a dove on the crescent moon and the arcade on the right Suffering with a chalice and a cross. Both depicted with a colonade in the background. The key is missing, 1939.

jewelery box, Anonymous, 17th century, ebony, velor, mirror glass, brass, silver, General: 27.5 x 29.5 x 21cm 275 x 295 x 210mm, allegory, Jewelery box or cabinet of curiosities with hinged lid and swinging door. The box is rectangular in shape, standing on a profiled plinth on spherical legs. The walls are made of composite profiled panels with pilasters at the corners. The highly profiled high cushion-shaped lid is attached with brass-cut open hinges. The front is lowerable. The interior consists of five drawers with two arcades in the middle bordered by three Tuscan colonets and an extendable shelf covered with red velvet and a mirror in the back. Two drawers on either side of the arcades and a drawer at the bottom across the entire width of the box. At the top two drawers on the compartment under the lid. The drawers have profiled ebony edges and the panels are decorated with silver engraved panels with arabesques, leaf and flower motifs. Inside cushions with red velor. In the panel on the inside of the door, a depiction of the life of Saint John is depicted in three scenes in arcade arches crowned with putti cups in the fins. Around it a band with arabesques. On the inside of the lid are three panels with a mirror and lings in the middle and an arcade on the right surrounded by rabesks, squirrels and fruit motifs and crowned with putti cups. In the arcade on the left Peace with a dove on the crescent moon and the arcade on the right Suffering with a chalice and a cross. Both depicted with a colonade in the background. The key is missing, 1939.
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Caption:
jewelery box, Anonymous, 17th century, ebony, velor, mirror glass, brass, silver, General: 27.5 x 29.5 x 21cm 275 x 295 x 210mm, allegory, Jewelery box or cabinet of curiosities with hinged lid and swinging door. The box is rectangular in shape, standing on a profiled plinth on spherical legs. The walls are made of composite profiled panels with pilasters at the corners. The highly profiled high cushion-shaped lid is attached with brass-cut open hinges. The front is lowerable. The interior consists of five drawers with two arcades in the middle bordered by three Tuscan colonets and an extendable shelf covered with red velvet and a mirror in the back. Two drawers on either side of the arcades and a drawer at the bottom across the entire width of the box. At the top two drawers on the compartment under the lid. The drawers have profiled ebony edges and the panels are decorated with silver engraved panels with arabesques, leaf and flower motifs. Inside cushions with red velor. In the panel on the inside of the door, a depiction of the life of Saint John is depicted in three scenes in arcade arches crowned with putti cups in the fins. Around it a band with arabesques. On the inside of the lid are three panels with a mirror and lings in the middle and an arcade on the right surrounded by rabesks, squirrels and fruit motifs and crowned with putti cups. In the arcade on the left Peace with a dove on the crescent moon and the arcade on the right Suffering with a chalice and a cross. Both depicted with a colonade in the background. The key is missing, 1939
Credit:
Album / quintlox
Releases:
Model: No - Property: No
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Image size:
4032 x 6048 px | 69.8 MB
Print size:
34.1 x 51.2 cm | 13.4 x 20.2 in (300 dpi)
Keywords:
17TH CENTURY 17TH 27.5 X 29.5 X 21CM 275 X 295 X 210MM ABSENCE ALLEGORY ANONYMOUS ARABESQUES ARABESQUES. ARCADE ARCHES CROWNED ARCADE ARCADES ATTACHED BACK. TWO DRAWERS BACKGROUND. BAND, A BOTTOM ACROSS BOX BOX. BOXES BRASS BRASS-CUT OPEN HINGES. CABINET CHALICE, A CHEST COFFER COLONADE, A COMPARTMENT UNDER COMPOSITE PROFILED PANELS CORNERS. CROSS., A CROWNED CURIOSITIES DECORATED DEPICTED DEPICTION, A DISAPPEARED DOOR DOORWAY DOVE, A DRAWER, A DRAWERS EBONY ENTIRE WIDTH EXTENDABLE SHELF COVERED FINS. AROUND FIVE DRAWERS FLOWER MOTIFS. INSIDE CUSHIONS FORMS (GEOMETRIC) FRONT FRONTAL FRUIT MOTIFS GENERAL HIGHLY PROFILED HIGH CUSHION-SHAPED LID HINGED LID HOSPITALLER KNIGHTS INSIDE INSIDES INTERIOR CONSISTS JEWELERY BOX KEY KNIGHTS HOSPITALLER KNIGHTS OF MALTA LEAF LEAVE LEAVES LEFT PEACE LID. LIFE LINGS LOWERABLE. MIDDLE BORDERED MIRROR GLASS MIRROR, A MISSING PANEL PANELS PILASTERS PORCH PORTAL PORTICO PROFILED EBONY EDGES PROFILED PLINTH, A PUTTI CUPS PUTTI CUPS. RABESKS RECTANGULAR RED VELOR. RED VELVET RIGHT SUFFERING RIGHT SURROUNDED SAINT JOHN SHAPE SIDE SILVER ENGRAVED PANELS SILVER SPHERICAL LEGS. SQUIRRELS STANDING SWINGING DOOR. THREE PANELS THREE SCENES THREE TUSCAN COLONETS TOP TWO DRAWERS TWO ARCADES VELOR WALLS XVII CENTURY