alb5362775

Sagrada Familia: the first drawing to be published showing Gaudís vision for the completed church seen from the east. The slightly oblique perspective was drawn for Gaudí by his assistant Joan Rubió. On the right, in the apse, we distinguish the oedule that Gaudí wanted to take advantage of for the Church of the Assumption in Rancagua (Chile). Photograph taken in Gaudí's studio, where he was pinned with pushpins on the wall, you can see his notes (1905).

Sagrada Familia: the first drawing to be published showing Gaudís vision for the completed church seen from the east. The slightly oblique perspective was drawn for Gaudí by his assistant Joan Rubió. On the right, in the apse, we distinguish the oedule that Gaudí wanted to take advantage of for the Church of the Assumption in Rancagua (Chile). Photograph taken in Gaudí's studio, where he was pinned with pushpins on the wall, you can see his notes (1905).
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Caption:
Sagrada Familia: the first drawing to be published showing Gaudís vision for the completed church seen from the east. The slightly oblique perspective was drawn for Gaudí by his assistant Joan Rubió. On the right, in the apse, we distinguish the oedule that Gaudí wanted to take advantage of for the Church of the Assumption in Rancagua (Chile). Photograph taken in Gaudí's studio, where he was pinned with pushpins on the wall, you can see his notes (1905).
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Credit:
Album / Gaudi Research Institute
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Model: No - Property: No
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Image size:
5775 x 4558 px | 75.3 MB
Print size:
48.9 x 38.6 cm | 19.2 x 15.2 in (300 dpi)