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Saint Francis Borgia (1510-1572). Marquis of Lombay and later 4th Duke of Gandía. This scene depicts Francisco de Borja's renunciation of the world after contemplating the putrefied corpse of the Empress Isabella of Portugal (1503-1539), wife of Emperor Charles I of Spain, whose body would be driven to Granada, the city where the scene took place. Isabella died in Toledo on 1st May 1539. The Conversion of the Duke of Gandía. Illustration after the painting by Moreno Carbonero. Chromolithography. Historia General de España (General History of Spain), by Miguel Morayta. Volume III. Madrid, 1890.

Saint Francis Borgia (1510-1572). Marquis of Lombay and later 4th Duke of Gandía. This scene depicts Francisco de Borja's renunciation of the world after contemplating the putrefied corpse of the Empress Isabella of Portugal (1503-1539), wife of Emperor Charles I of Spain, whose body would be driven to Granada, the city where the scene took place. Isabella died in Toledo on 1st May 1539. The Conversion of the Duke of Gandía. Illustration after the painting by Moreno Carbonero. Chromolithography. Historia General de España (General History of Spain), by Miguel Morayta. Volume III. Madrid, 1890.
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Caption:
Saint Francis Borgia (1510-1572). Marquis of Lombay and later 4th Duke of Gandía. This scene depicts Francisco de Borja's renunciation of the world after contemplating the putrefied corpse of the Empress Isabella of Portugal (1503-1539), wife of Emperor Charles I of Spain, whose body would be driven to Granada, the city where the scene took place. Isabella died in Toledo on 1st May 1539. The Conversion of the Duke of Gandía. Illustration after the painting by Moreno Carbonero. Chromolithography. Historia General de España (General History of Spain), by Miguel Morayta. Volume III. Madrid, 1890.
Location:
PRIVATE COLLECTION
Credit:
Album / Prisma
Releases:
Model: No - Property: No
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Image size:
5197 x 3409 px | 50.7 MB
Print size:
44.0 x 28.9 cm | 17.3 x 11.4 in (300 dpi)
Keywords:
1539 16 16TH XVI XVITH SIXTEENTH CENTURY 16 CENTURY 16TH CENTURY 16TH 19TH CENTURY 19TH 4TH DUKE OF GANDIA ACCIDENT ARISTOCRACY ARISTOCRAT BODY BORGIA BORJA CADAVER CHROMOLITHOGRAPH CHROMOLITHOGRAPHY COFFIN COLOR COLOUR CONVERSION OF THE DUKE OF GANDIA CONVERSION OF THE DUKE OF GANDIA, THE CONVERSION CORPS CORPSE CRY CRYING DEAD BODY DEATH DOCTRINE DUKE OF GANDIA EARTHLY LIFE EMPEROR CHARLES V EMPRESS ISABELLA OF PORTUGAL EMPRESS ISABELLA EMPRESS EPISODE EUROPA EUROPE FAITH FRANCIS BORGIA FRANCISCO DE BORJA GRANADA GRENADE HISTORIA DE ESPANA HISTORIA UNIVERSAL HISTORIA HISTORIC HISTORICAL HISTORY OF SPAIN HISTORY SPAIN HISTORY HISTORY, SPAIN HOLY ROMAN EMPRESS IDENTIFICATION IDENTIFYING IMPRESSION IMPRESSSED ISABELLA VON PORTUGAL (1503-1539) IV DUKE OF GANDIA JESUIT ORDER JESUIT SUPERIOR GENERAL JESUIT JESUITAS JESUITS KARL V, EMPEROR HOLY ROMAN EMPIRE MARQUIS OF LOMBAY MIGUEL MORAYTA MODERN AGE MODERN ERA MODERN PERIOD MONKS, JESUIT MORAYTA MOURN NOBILITY NOBLE NOBLEMAN NOBLES NOBLESSE ORDER, JESUIT PRINTING PRIVATE COLLECTION PUTREFACTION PUTREFIED QUEEN RELIGION RELIGIOUS RITE ROT ROTTEN ROYALS SAINT FRANCIS BORGIA SAN FRANCISCO DE BORJA SAN FRANCISCO DE BORJIA SCENE SHOCK SHOCKED SPAIN SPAIN, HISTORY SPANISH STAGE TEARS THEATER THEATRE TRANSFORMATION VANITY OF LIFE VANITY WEEP WEEPING WIFE OF EMPEROR CHARLES I XIX CENTURY