alb5151413

Hugo Erfurth, Theodor Däubler, Staatliche Landesbildstelle Hamburg, collection on the history of photography, silver gelatin paper, black and white positive process, retouched (stone processing), image size: height: 25.4 cm; width: 19.8 cm, upper left in lead: Däubler, upper right: 88; lower left: beginning of d. 20's, (according to P. Oehmen), portrait photography, writer, poet, author, portrait, half-length portrait, arm positions, gestures, book, eyeglasses, glasses, Theodor Däubler, At the beginning of the 20th century, Hugo Erfurth is one of the most famous professional photographers in Germany, along with Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Cologne in the 1930s, where he builds up an art collection.

Hugo Erfurth, Theodor Däubler, Staatliche Landesbildstelle Hamburg, collection on the history of photography, silver gelatin paper, black and white positive process, retouched (stone processing), image size: height: 25.4 cm; width: 19.8 cm, upper left in lead: Däubler, upper right: 88; lower left: beginning of d. 20's, (according to P. Oehmen), portrait photography, writer, poet, author, portrait, half-length portrait, arm positions, gestures, book, eyeglasses, glasses, Theodor Däubler, At the beginning of the 20th century, Hugo Erfurth is one of the most famous professional photographers in Germany, along with Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Cologne in the 1930s, where he builds up an art collection.
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Caption:
Hugo Erfurth, Theodor Däubler, Staatliche Landesbildstelle Hamburg, collection on the history of photography, silver gelatin paper, black and white positive process, retouched (stone processing), image size: height: 25.4 cm; width: 19.8 cm, upper left in lead: Däubler, upper right: 88; lower left: beginning of d. 20's, (according to P. Oehmen), portrait photography, writer, poet, author, portrait, half-length portrait, arm positions, gestures, book, eyeglasses, glasses, Theodor Däubler, At the beginning of the 20th century, Hugo Erfurth is one of the most famous professional photographers in Germany, along with Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Cologne in the 1930s, where he builds up an art collection.
Credit:
Album / quintlox
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Image size:
3330 x 4320 px | 41.2 MB
Print size:
28.2 x 36.6 cm | 11.1 x 14.4 in (300 dpi)
Keywords:
1894 ONWARDS 1905 1906 1920S ONWARD 20 20TH XX XXTH TWENTIETH CENTURY 20 XX TWENTIETH CENTURY 20'S 20TH CENTURY 20TH ACCORDING AGE ÂGÉS APPEALING APPRENTICESHIP ARCHIVE ARCHIVES ARM POSITIONS ART COLLECTION ART-PHOTOGRAPHIC TRADITION ARTFORM ARTISTICALLY ENNOBLED AMATEUR ATMOSPHERIC WAY AUTHOR BEGAN TAKING BLACK PERSON BLACK RACE BLACK BOOK BOOKS BUILDS UP CALLING CATHRIN HAUSWALD CENTRAL CLASSICAL MODERNISM CLASSICIST PALACE CO-FOUNDER COLLECTION COLOGNE STUDIO COLOGNE COMPLETING DESTROYED DRESDEN DÄUBLER ERFURTH RESCUED ERFURTH EYEGLASSES FACE FAMOUS PERSONALITIES FAMOUS PROFESSIONAL PHOTOGRAPHERS FOCUS FOCUSING FOTOGRAFIA FULL-LENGTH FIGURES DEPICTED GAIENHOFEN GERMANY GESELLSCHAFT DEUTSCHER LICHTBILDNER GESTURE GESTURES GLASSES (OPTICS) GLASSES HALF-LENGTH PORTRAIT HISTORIA UNIVERSAL HISTORIA HISTORY HISTORY. HUGO ERFURTH JOACHIM RINGELNATZ KÄTHE KOLLWITZ LAKE CONSTANCE LEAD LEIPZIG ACADEMY LIBRO LIBROS LOWER LEFT MANAGED MATERIALITY MOMENT IN TIME MOVES NAME NEGRA NEW STUDIO NICOLA PERSCHEID NUMEROUS AMATEUR PHOTOGRAPHIC EXHIBITIONS OEHMEN OIL PRINTING EMPHASIZES OLD OPEN OPENED OTTO DIX OWN STUDIO P PARTICIPATED PHOTO PHOTOGRAPH PHOTOGRAPHED PHOTOGRAPHER PHOTOGRAPHIE PHOTOGRAPHY PICTORIAL APPROACH CORRESPONDS PIGMENTS PINCE-NEZ POET PORTRAIT PHOTOGRAPHY PORTRAIT PORTRAITS POTRAIT PRODUCED NUMEROUS PORTRAITS RETOUCHED RUDOLPH DÜHRKOOP SECOND WORLD WAR SILVER GELATIN PAPER SIMPLE MONOCHROME BACKGROUND SOFTNESS SOON ERFURTH ORIENTATED SPECTACLES STAATLICHE LANDESBILDSTELLE HAMBURG STONE PROCESSING STUDIES STYLISHLY ELEGANT AMBIENCE SUCCESSFUL PROFESSIONAL PHOTOGRAPHER TECHNICAL TECHNIQUE TECHNOLOGY TEHNOLOGY THE THEODOR DÄUBLER TIME PLACES TOWARDS TWENTIETH CENTURY UP-AND-COMING PICTORIALIST PHOTOGRAPHY UPPER LEFT UPPER RIGHT VISAGE WEALTHY BOURGEOISIE WHEREBY WHITE POSITIVE PROCESS WORK WRITER