alb3600409

WU BOLI. Dragon Pine

Dragon Pine. Artist: Wu Boli (Chinese, active late 14th-early 15th century). Culture: China. Dimensions: Image: 48 x 13 1/4 in. (121.9 x 33.7 cm)
Overall with mounting: 100 x 18 5/8 in. (254 x 47.3 cm)
Overall with knobs: 100 x 21 in. (254 x 53.3 cm). Date: ca. 1400.
Wu Boli, a Daoist priest at the Shangqing ("Upper Purity") Temple on Dragon Tiger Mountain, Jiangxi Province, was a close folower of Fang Congyi (ca. 1301-ca. 1392). Dragon Pine was painted for Zhang Yuchu, the forty-third Daoist "pope" of the Orthodox Unity sect, and bears his appreciative colophon.
This animated pine recalls an account by the tenth-century hermit-painter Jing Hao that describes "a gigantic pine tree, its aged bark overgrown with lichen, its winged scales seeming to ride in the air. Its stature is like that of a coiling dragon trying to reach the Milky Way." For Jing Hao, as for later artists, the pine signified "the moral character of the virtuous man." Here, the tree may also represent the Daoist sage, or "perfected being." According to Daoist geomantic beliefs, vital energies collect at the base of a mountain slope along the edge of a stream-precisely the location of the pine in Wu Boli's painting.

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Author: WU BOLI (active late 14th-early 15th century)

Title: Dragon Pine

Caption: Dragon Pine. Artist: Wu Boli (Chinese, active late 14th-early 15th century). Culture: China. Dimensions: Image: 48 x 13 1/4 in. (121.9 x 33.7 cm) Overall with mounting: 100 x 18 5/8 in. (254 x 47.3 cm) Overall with knobs: 100 x 21 in. (254 x 53.3 cm). Date: ca. 1400. Wu Boli, a Daoist priest at the Shangqing ("Upper Purity") Temple on Dragon Tiger Mountain, Jiangxi Province, was a close folower of Fang Congyi (ca. 1301-ca. 1392). Dragon Pine was painted for Zhang Yuchu, the forty-third Daoist "pope" of the Orthodox Unity sect, and bears his appreciative colophon. This animated pine recalls an account by the tenth-century hermit-painter Jing Hao that describes "a gigantic pine tree, its aged bark overgrown with lichen, its winged scales seeming to ride in the air. Its stature is like that of a coiling dragon trying to reach the Milky Way." For Jing Hao, as for later artists, the pine signified "the moral character of the virtuous man." Here, the tree may also represent the Daoist sage, or "perfected being." According to Daoist geomantic beliefs, vital energies collect at the base of a mountain slope along the edge of a stream-precisely the location of the pine in Wu Boli's painting.

Technique/material: Hanging scroll; ink on paper

Period: Ming dynasty (1368-1644)

Museum: Metropolitan Museum of Art, New York, USA

Credit: Album

Releases: ? Model Release: No - ? Property Release: No
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Image size: 1799 × 4800 px | 24.7 MB

Print size: 15.2 × 40.6 cm | 708.3 × 1889.8 in (300 dpi)

Keywords: ASIA • ASIAN ART • CHINA • HANGING SCROLL; INK ON PAPER • HANGING SCROLLS • INK • METROPOLITAN MUSEUM OF ART, NEW YORK, USA • MING DYNASTY (1368-1644) • PAINTINGS • PAPER • SCROLL PAINTINGS • SCROLLS • WU BOLI