Woodcut, Populi carpophagi, a multitude of small, naked people, climbing on two trees, Aldrovandi, Historia Monstrorum, 1642, Renaissance.

1600S, THE • 17TH CENTURY • 2 PEOPLE • AGE • ÂGÉS • ART PRINT • ART PRINTS • ART • ARTS AND CRAFTS • ARTS • ARTWORK • ARTWORKS • BLACK AND WHITE • BLACK-AND-WHITE • BLACK-WHITE • BOOK PRINTER • CADRE • CENTURIES • CENTURY • CLIMB • CLIMBING • CLIMBS • CRAFTING • DEPICTION • DEPICTIONS • DRAWING • DRAWINGS • FIGURE • FIGURES • GOOD • HAND • HANDCRAFT • HANDCRAFTED GOOD • HANDICRAFT • HANDICRAFTS • HANDMADE GOOD • HANDMADE GOODS • HANDS • HISTORIC • HISTORICAL • HISTORY • IMAGE MOTIF • IMAGES • IMPRESOR • IN PAINTINGS • INTERIORS: IN PAINTINGS • ITEM • ITEMS • LABOR • LABOUR • MANY PEOPLE • METHOD • METHODS • NAKED • NUDE • OLD AGE • OLD • PAINT • PAINTING (ACTIVITY) • PAINTING • PAINTINGS • PAINTS • PEOPLE 2 • PICTURE • PICTURES • PIERIS RAPAE • PRESSURE • PRESSURES • PRINT • PRINTER • PRINTERS • PRINTING METHOD • PRINTING METHODS • PRINTING • PRINTS • PROCEDURE • PROCEDURES • PROCESS • RENAISSANCE • SEVENTEENTH CENTURY • SKETCH • SMALL CABBAGE WHITE • SMALL WHITE • SMALL WHITES • TECHNIQUE • TECHNOLOGIES • TECHNOLOGY • TRADE: PRINTER • TWO PEOPLE • WOODBLOCK PRINT • WOODCUT • WOODCUTS • WORK • WORKING • WORKS • XYLOGRAPH • XYLOGRAPHY