alb5466395

Scene in a seiro 'green house' or high class pleasure house in Yoshiwara red light district, Edo (Old Tokyo).

Ishikawa Toyonobu (1711 - July 1, 1785) was a Japanese ukiyo-e print artist. He is sometimes said to have been the same person as Nishimura Shigenobu, a contemporary ukiyo-e artist and student of Nishimura Shigenaga about whom very little is known. A pupil of Nishimura Shigenaga, Toyonobu produced many monochrome 'lacquer prints' (urushi-e) which reflected the influence of Okumura Masanobu as well. Many of these were yakusha-e (actor prints) and bijinga (images of beautiful women), including images of standing courtesans, whose faces conveyed an impassivity typical of the works of the Kaigetsudi school. Later in his career, Toyonobu became one of the leading producers of color prints, chiefly benizuri-e ('rose prints'), but stopped producing ukiyo-e shortly after Suzuki Harunobu pioneered the full-color print (nishiki-e) in 1765.
Compartir
pinterestPinterest
twitterTwitter
facebookFacebook
emailEmail

Añadir a otro lightbox

Añadir a otro lightbox

add to lightbox print share
¿Ya tienes cuenta? Iniciar sesión
¿No tienes cuenta? Regístrate
Compra esta imagen. Selecciona el uso:
Cargando...
Título: Scene in a seiro 'green house' or high class pleasure house in Yoshiwara red light district, Edo (Old Tokyo).
Descripción: Ver traducción automática
Ishikawa Toyonobu (1711 - July 1, 1785) was a Japanese ukiyo-e print artist. He is sometimes said to have been the same person as Nishimura Shigenobu, a contemporary ukiyo-e artist and student of Nishimura Shigenaga about whom very little is known. A pupil of Nishimura Shigenaga, Toyonobu produced many monochrome 'lacquer prints' (urushi-e) which reflected the influence of Okumura Masanobu as well. Many of these were yakusha-e (actor prints) and bijinga (images of beautiful women), including images of standing courtesans, whose faces conveyed an impassivity typical of the works of the Kaigetsudi school. Later in his career, Toyonobu became one of the leading producers of color prints, chiefly benizuri-e ('rose prints'), but stopped producing ukiyo-e shortly after Suzuki Harunobu pioneered the full-color print (nishiki-e) in 1765.
Crédito: Album / Pictures From History/Universal Images Group
Autorizaciones: ? Cesión de modelo: No - ? Cesión de propiedad: No
¿Preguntas relacionadas con los derechos?
Tamaño imagen: 5000 × 3497 px | 50.0 MB
Tamaño impresión: 42.3 × 29.6 cm | 1968.5 × 1376.8 in (300 dpi)
Palabras clave: ART ARTE ARTES ASIA ASIATICO CORTESANA EDO ESTILO HISTORIA HISTORICO ISHIKAWA TOYONOBU JAPON JAPONES MODA PINTURA PLANCHA DE MADERA PROSTITUTA UKIYO-E