Japan: A satirical view of the 'Battle of the Sexes' from 'Sento Shinwa' ('New Tale of the Welling Waters, Jujitei Sanku). Utagawa Kunisada (1786-1865), c.1827.
Japan: A satirical view of the 'Battle of the Sexes' from 'Sento Shinwa' ('New Tale of the Welling Waters, Jujitei Sanku). Utagawa Kunisada (1786-1865), c.1827.
Utagawa Kunisada (1786 – January 12, 1865) (Japanese: ?? ??, also known as Utagawa Toyokuni III ?????? ) was the most popular, prolific and financially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Kuniyoshi. Utagawa Kunisada II (????)(1823–1880) was a Japanese ukiyo-e printmaker, one of three to take the name 'Utagawa Kunisada'. A pupil of Utagawa Kunisada I, he signed much of his early work 'Baido Kunimasa III'. He took the name Kunisada after marrying his master's eldest daughter in 1846. He changed his name once more following his master's death, to Toyokuni III. However, since there were three artists called Toyokuni before him, Kunisada II is now often known as Toyokuni IV. Kunisada II is renowned for his prints. His favourite subjects were pleasure-houses and tea ceremonies. These themes are sometimes found together in some of his prints, as geishas usually acted as chaperones at tea-houses.
Crédito:
Album / Pictures from History/Universal Images Group