alb4445543
Amalia Lindegren, unknown woman, painting, 1859, oil on canvas, Height, 77 cm (30.3 inches), Width, 65 cm (25.5 inches), Inscription, underlined, f. In Sthlm 1814, received, / at prof. Qvarnstrom's recommendation along with a // pair of other 'mamseller' permission to participate in the // teaching at the Academy of Fine Arts a few months // 1849. She was then 35 and had known herself // as a reliable portrait painter. Got scholarship in 1850 // and traveled - for five years, the foreign studies - // na, mostly in Paris, but also Munich, Düssel- dorf and Rome. In 1852, Qvarnström says in a letter home // from Paris, where he happened to Amalia Lindegren, // that her work 'among other merits // also owns not having the slightest trace of // being made of a mamsell'. // Residence in Stockholm from 1856. Study trip to // Dalarna, genre paintings, folklore. 'As a porno-retired painter she became very engaged. She // painted Queen Loviisa and the crown prince of // Denmark - both portraits in the Nationalmuseum // - Oskar II and Queen Sofia, many of the society's highest and more of society's ladies. // She died on Dec. 27. 1891. //, Eft. Georg Nordensvan in IDUN 1892, p. 9 f.), A.t, frame, at the bottom thh. in the middle, typed patch attached with thumbtacks, Am. L-n, down left]###.
![Amalia Lindegren, unknown woman, painting, 1859, oil on canvas, Height, 77 cm (30.3 inches), Width, 65 cm (25.5 inches), Inscription, underlined, f. In Sthlm 1814, received, / at prof. Qvarnstrom's recommendation along with a // pair of other 'mamseller' permission to participate in the // teaching at the Academy of Fine Arts a few months // 1849. She was then 35 and had known herself // as a reliable portrait painter. Got scholarship in 1850 // and traveled - for five years, the foreign studies - // na, mostly in Paris, but also Munich, Düssel- dorf and Rome. In 1852, Qvarnström says in a letter home // from Paris, where he happened to Amalia Lindegren, // that her work 'among other merits // also owns not having the slightest trace of // being made of a mamsell'. // Residence in Stockholm from 1856. Study trip to // Dalarna, genre paintings, folklore. 'As a porno-retired painter she became very engaged. She // painted Queen Loviisa and the crown prince of // Denmark - both portraits in the Nationalmuseum // - Oskar II and Queen Sofia, many of the society's highest and more of society's ladies. // She died on Dec. 27. 1891. //, Eft. Georg Nordensvan in IDUN 1892, p. 9 f.), A.t, frame, at the bottom thh. in the middle, typed patch attached with thumbtacks, Am. L-n, down left]###.](/photos/prev/N2ZkZDgwMA/album_alb4445543.webp)
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Amalia Lindegren, unknown woman, painting, 1859, oil on canvas, Height, 77 cm (30.3 inches), Width, 65 cm (25.5 inches), Inscription, underlined, f. In Sthlm 1814, received, / at prof. Qvarnstrom's recommendation along with a // pair of other 'mamseller' permission to participate in the // teaching at the Academy of Fine Arts a few months // 1849. She was then 35 and had known herself // as a reliable portrait painter. Got scholarship in 1850 // and traveled - for five years, the foreign studies - // na, mostly in Paris, but also Munich, Düssel- dorf and Rome. In 1852, Qvarnström says in a letter home // from Paris, where he happened to Amalia Lindegren, // that her work 'among other merits // also owns not having the slightest trace of // being made of a mamsell'. // Residence in Stockholm from 1856. Study trip to // Dalarna, genre paintings, folklore. 'As a porno-retired painter she became very engaged. She // painted Queen Loviisa and the crown prince of // Denmark - both portraits in the Nationalmuseum // - Oskar II and Queen Sofia, many of the society's highest and more of society's ladies. // She died on Dec. 27. 1891. //, Eft. Georg Nordensvan in IDUN 1892, p. 9 f.), A.t, frame, at the bottom thh. in the middle, typed patch attached with thumbtacks, Am. L-n, down left]###
Amalia Lindegren, unknown woman, painting, 1859, oil on canvas, Height, 77 cm (30.3 inches), Width, 65 cm (25.5 inches), Inscription, underlined, f. In Sthlm 1814, received, / at prof. Qvarnstrom's recommendation along with a // pair of other 'mamseller' permission to participate in the // teaching at the Academy of Fine Arts a few months // 1849. She was then 35 and had known herself // as a reliable portrait painter. Got scholarship in 1850 // and traveled - for five years, the foreign studies - // na, mostly in Paris, but also Munich, Düssel- dorf and Rome. In 1852, Qvarnström says in a letter home // from Paris, where he happened to Amalia Lindegren, // that her work 'among other merits // also owns not having the slightest trace of // being made of a mamsell'. // Residence in Stockholm from 1856. Study trip to // Dalarna, genre paintings, folklore. 'As a porno-retired painter she became very engaged. She // painted Queen Loviisa and the crown prince of // Denmark - both portraits in the Nationalmuseum // - Oskar II and Queen Sofia, many of the society's highest and more of society's ladies. // She died on Dec. 27. 1891. //, Eft. Georg Nordensvan in IDUN 1892, p. 9 f.), A.t, frame, at the bottom thh. in the middle, typed patch attached with thumbtacks, Am. L-n, down left]###
Crédito: Album / quintlox
Autorizaciones: ? Cesión de modelo: No - ? Cesión de propiedad: No
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Tamaño imagen: 3885 × 4385 px | 48.7 MB
Tamaño impresión: 32.9 × 37.1 cm | 1529.5 × 1726.4 in (300 dpi)
Palabras clave: 1859 • ACEITE • AMALIA LINDEGREN • LIENZO • PINTURA
