alb3658214

SAKAI HOITSU. Persimmon Tree

Persimmon Tree. Artist: Sakai Hoitsu (Japanese, 1761-1828). Culture: Japan. Dimensions: Image: 56 9/16 x 56 5/8 in. (143.7 x 143.8 cm)
Overall: 65 1/4 x 64 in. (165.7 x 162.6 cm). Date: 1816.
This painting, while exhibiting the trademark mottled-ink (tarashikomi) technique of the Rinpa school, reflects the artist's interest in Western-style realism, which is combined with sophisticated, graceful forms. The intricately curling leaves of the tree and grass evoke the cold sky of the clear fall day alluded to in the inscription, which dates the screen to late autumn 1816.
Hoitsu was born into a wealthy, influential samurai family and had all the advantages of the finest education, including the opportunity to study many of the painting styles available to artists in Edo Japan. He became a monk in 1797 and adopted the priestly name Monsen Kishin, which appears in the seal and signature on this screen.
Compartir
pinterestPinterest
twitterTwitter
facebookFacebook
emailEmail

Añadir a otro lightbox

Añadir a otro lightbox

add to lightbox print share
¿Ya tienes cuenta? Iniciar sesión
¿No tienes cuenta? Regístrate
Compra esta imagen. Selecciona el uso:
Cargando...
Título: Persimmon Tree
Descripción: Ver traducción automática
Persimmon Tree. Artist: Sakai Hoitsu (Japanese, 1761-1828). Culture: Japan. Dimensions: Image: 56 9/16 x 56 5/8 in. (143.7 x 143.8 cm) Overall: 65 1/4 x 64 in. (165.7 x 162.6 cm). Date: 1816. This painting, while exhibiting the trademark mottled-ink (tarashikomi) technique of the Rinpa school, reflects the artist's interest in Western-style realism, which is combined with sophisticated, graceful forms. The intricately curling leaves of the tree and grass evoke the cold sky of the clear fall day alluded to in the inscription, which dates the screen to late autumn 1816. Hoitsu was born into a wealthy, influential samurai family and had all the advantages of the finest education, including the opportunity to study many of the painting styles available to artists in Edo Japan. He became a monk in 1797 and adopted the priestly name Monsen Kishin, which appears in the seal and signature on this screen.
Técnica/material: Two-panel folding screen; ink and color on paper
Periodo: Edo period (1615-1868)
Museo: Metropolitan Museum of Art, New York, USA
Crédito: Album
Tamaño imagen: 3837 × 3908 px | 42.9 MB
Tamaño impresión: 32.5 × 33.1 cm | 1510.6 × 1538.6 in (300 dpi)