alb3950343
'A Rake's Progress-8: The Mad House', 1733. Artist: William Hogarth.
!['A Rake's Progress - 8: The Mad House', 1733. True to his nature Tom Rakewell has run through a vast fortune through indulgence in all the luxuries of modern living. He has lived riotously, both gambling and whoring. He has married a rich old widow and been ruined a second time. Now the rake is raving mad and shackled for his own safety in Bedlam, the London lunatic asylum. He is comforted by Sarah Young, the poor girl that he had seduced with a false promise of marriage while he was a student at Oxford. Behind, two fashionable women have come to view the hospital's inmates. From William Hogarth, by Austin Dobson. [Hachette Et Cie, Paris, 1904].](/photos/prev/NGE0ZGM0MA/album_alb3950343.webp)
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Título: 'A Rake's Progress-8: The Mad House', 1733. Artist: William Hogarth.
Descripción: Ver traducción automática
'A Rake's Progress - 8: The Mad House', 1733. True to his nature Tom Rakewell has run through a vast fortune through indulgence in all the luxuries of modern living. He has lived riotously, both gambling and whoring. He has married a rich old widow and been ruined a second time. Now the rake is raving mad and shackled for his own safety in Bedlam, the London lunatic asylum. He is comforted by Sarah Young, the poor girl that he had seduced with a false promise of marriage while he was a student at Oxford. Behind, two fashionable women have come to view the hospital's inmates. From William Hogarth, by Austin Dobson. [Hachette Et Cie, Paris, 1904]
'A Rake's Progress - 8: The Mad House', 1733. True to his nature Tom Rakewell has run through a vast fortune through indulgence in all the luxuries of modern living. He has lived riotously, both gambling and whoring. He has married a rich old widow and been ruined a second time. Now the rake is raving mad and shackled for his own safety in Bedlam, the London lunatic asylum. He is comforted by Sarah Young, the poor girl that he had seduced with a false promise of marriage while he was a student at Oxford. Behind, two fashionable women have come to view the hospital's inmates. From William Hogarth, by Austin Dobson. [Hachette Et Cie, Paris, 1904]
Crédito: Album / Heritage Images / The Print Collector
Autorizaciones: ? Cesión de modelo: No - ? Cesión de propiedad: No
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Tamaño imagen: 5255 × 4307 px | 64.8 MB
Tamaño impresión: 44.5 × 36.5 cm | 2068.9 × 1695.7 in (300 dpi)
Palabras clave: ACOGIDA • AFLICCION • AMOR • ARRUINADO • ARTE • ARTES • ASILO • BLANCO Y NEGRO • BRITANICO • CANCION • CHICO • CIUDAD DE LONDRES • COMPASION • COMPASIVO • CONCEPTO • CONSOLADOR • DAMA • DEMENCIA • DESESPERACION • DESVARIO • DEVOCION • EDIFICIO • EDIFICIOS • ENFERMEDAD MENTAL • ENFERMEDAD • ESPOSADO • GENTE • GEORGIANA • GEORGIANO • GRAN BRETAÑA • HOMBRE • HOMBRES • INGLATERRA • INGLES • INMORAL • INSENSATEZ • INSTRUMENTO DE CUERDA • INSTRUMENTO MUSICAL • INTERIOR • INTERIORES • LOCURA • MALOS • MASCULINO • MONOCHROME • MONOCROMO • MORAL • MUJER • MUJERES • MUSIC • MÚSICA • MUSICO • PAÍS • RETRATO DE HOMBRE • REUNION DE BRUJAS • RUINAS • S. XVIII • SALUD • SATIRA • SATÍRICO • SIGLO XVIII • SIGLO • VIOLIN • VIOLINISTA • WILLIAM HOGARTH
