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Amedeo Modigliani: Léopold Zborowksi, Amedeo Modigliani, 1919, Oil on canvas, Leopold Zborowski was a Polish-born artist, poet, and art dealer who moved to Paris in 1913. He began acting as Modigliani's manager in 1916, commissioning and selling his works and turning a large room in his apartment into a studio for the artist. Modigliani painted three portraits of Zborowski. In this one, the last of the three, we see the stylized features that are characteristic of Modigliani's work: an elegantly elongated neck, icy-blue eyes, a prominent, narrow nose, and a small mouth set within a heart-shaped face. Positioned in an ambiguous interior space, there is little to distract from the dealer's pensive stare; the up-close presentation also suggests the intimate personal relationship between Modigliani and his sitter., Overall: 21 3/4 x 15 3/16 in. (55.2 x 38.5 cm).

Amedeo Modigliani: Léopold Zborowksi, Amedeo Modigliani, 1919, Oil on canvas, Leopold Zborowski was a Polish-born artist, poet, and art dealer who moved to Paris in 1913. He began acting as Modigliani's manager in 1916, commissioning and selling his works and turning a large room in his apartment into a studio for the artist. Modigliani painted three portraits of Zborowski. In this one, the last of the three, we see the stylized features that are characteristic of Modigliani's work: an elegantly elongated neck, icy-blue eyes, a prominent, narrow nose, and a small mouth set within a heart-shaped face. Positioned in an ambiguous interior space, there is little to distract from the dealer's pensive stare; the up-close presentation also suggests the intimate personal relationship between Modigliani and his sitter., Overall: 21 3/4 x 15 3/16 in. (55.2 x 38.5 cm).
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Amedeo Modigliani: Léopold Zborowksi, Amedeo Modigliani, 1919, Oil on canvas, Leopold Zborowski was a Polish-born artist, poet, and art dealer who moved to Paris in 1913. He began acting as Modigliani's manager in 1916, commissioning and selling his works and turning a large room in his apartment into a studio for the artist. Modigliani painted three portraits of Zborowski. In this one, the last of the three, we see the stylized features that are characteristic of Modigliani's work: an elegantly elongated neck, icy-blue eyes, a prominent, narrow nose, and a small mouth set within a heart-shaped face. Positioned in an ambiguous interior space, there is little to distract from the dealer's pensive stare; the up-close presentation also suggests the intimate personal relationship between Modigliani and his sitter., Overall: 21 3/4 x 15 3/16 in. (55.2 x 38.5 cm)
Personas: SEE
Crédito: Album / quintlox
Autorizaciones: ? Cesión de modelo: No - ? Cesión de propiedad: No
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Tamaño imagen: 4380 × 6355 px | 79.6 MB
Tamaño impresión: 37.1 × 53.8 cm | 1724.4 × 2502.0 in (300 dpi)
Palabras clave: 1913 1916 ACEITE AMEDEO APARTAMENTO ARTISTA CARACTERÍSTICAS DISTRAER ESTUDIO LAST LEOPOLD ZBOROWSKI LIENZO LIQUIDACION PARIS POCO POETA POSICIÓN PROMINENTES PUESTA EN MARCHA SEE TRES VENDER VENTA