alb9627835
Our Saviour after the Temptation - painted by Sir George Hayter, M. A. S. L., 1850. Creator: Unknown.
| Compartir |
|---|
 Pinterest |
 Twitter |
 Facebook |
 Copiar enlace |
 Email |
|
Añadir a otro lightbox |
|
Añadir a otro lightbox |
¿Ya tienes cuenta? Iniciar sesión
¿No tienes cuenta? Regístrate
Compra esta imagen.
Selecciona el uso:
Título: Our Saviour after the Temptation - painted by Sir George Hayter, M. A. S. L., 1850. Creator: Unknown.
Descripción: Ver traducción automática
Our Saviour after the Temptation - painted by Sir George Hayter, M. A. S. L., 1850. Exhibition at the British Institution. 'This miracle must be considered the first great triumph of Jesus Christ on earth; and therefore, although the extreme exhaustion from having fasted forty days rendered the ministering of angels necessary when his human strength was nearly annihilated, still the moment must have been one of intense joy to the heavenly host; and has, therefore, been treated in the colouring so as to avoid any sad or melancholy impression on the spectator, by appropriating such colours for the wings and garments of the angels as were frequently given by the early painters of holy subjects....In the principal figure, the painter has attempted to portray divine resignation and exhaustion, free from the more acute bodily suffering under which the Saviour Is generally represented'. From "Illustrated London News", 1850.
Our Saviour after the Temptation - painted by Sir George Hayter, M. A. S. L., 1850. Exhibition at the British Institution. 'This miracle must be considered the first great triumph of Jesus Christ on earth; and therefore, although the extreme exhaustion from having fasted forty days rendered the ministering of angels necessary when his human strength was nearly annihilated, still the moment must have been one of intense joy to the heavenly host; and has, therefore, been treated in the colouring so as to avoid any sad or melancholy impression on the spectator, by appropriating such colours for the wings and garments of the angels as were frequently given by the early painters of holy subjects....In the principal figure, the painter has attempted to portray divine resignation and exhaustion, free from the more acute bodily suffering under which the Saviour Is generally represented'. From "Illustrated London News", 1850.
Personas: GEORGE HAYTER
Crédito: Album / The Print Collector/Heritage Images
Autorizaciones: ? Cesión de modelo: No - ? Cesión de propiedad: No
¿Preguntas relacionadas con los derechos?
¿Preguntas relacionadas con los derechos?
Tamaño imagen: 3878 × 4960 px | 55.0 MB
Tamaño impresión: 32.8 × 42.0 cm | 1526.8 × 1952.8 in (300 dpi)
Palabras clave: ANGEL • ARTE • ARTES • BLANCO Y NEGRO • BRITANICO • CHICO • CHRISTIANITY • CLIMA • CONCEPTO • CORDILLERA • CRISTIANDAD • CRISTIANISMO • CRISTIANSMO • CRISTO • CUADRO • CUADROS • EPOCA VICTORIANA • EXHAUSTO • EXPOSICION • GALERIA DE ARTE • GALERIA • GENTE • GEOGRAFIA • GEORGE HAYTER • GEORGE • GRABADO • GRAN BRETAÑA • HOMBRE • HOMBRES • ILLUSTRATED LONDON NEWS • INUSUAL • JESUCRISTO • JESUS • MACIZO • MASCULINO • MILAGRO • MILAGROSO • MONTANA • MONTAÑA • NUBARRON • NUBE • NUBES • PERIODICO • PINACOTECA • PINTURA • PRENSA • RELIGION • RELIGIOSO • RETRATO DE HOMBRE • S. XIX • SALA DE EXPOSICIONES • SIGLO XIX • SIGLO • TENTACION • VICTORIANO
