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EDOUARD MANET. Young Lady in 1866

EDOUARD MANET. Young Lady in 1866. Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: 72 7/8 x 50 5/8 in. (185.1 x 128.6 cm). Date: 1866. Manet's model, Victorine Meurent, had recently posed as the brazen nudes in <i>Olympia</i> and <i>Luncheon on the Grass</i> (both Musée d'Orsay, Paris). Here, appearing relatively demure, she flaunts an intimate silk dressing gown. Critics eyed the painting as a rejoinder to Courbet's <i>Woman with a Parrot</i> (29.100.57) and as indicative of Manet's "current vice" of failing to "value a head more than a slipper." Recent scholars have interpreted it as an allegory of the five senses: the nosegay (smell), the orange (taste), the parrot-confidant (hearing), and the man's monocle she fingers (sight and touch).
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Young Lady in 1866
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Young Lady in 1866. Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: 72 7/8 x 50 5/8 in. (185.1 x 128.6 cm). Date: 1866. Manet's model, Victorine Meurent, had recently posed as the brazen nudes in Olympia and Luncheon on the Grass (both Musée d'Orsay, Paris). Here, appearing relatively demure, she flaunts an intimate silk dressing gown. Critics eyed the painting as a rejoinder to Courbet's Woman with a Parrot (29.100.57) and as indicative of Manet's "current vice" of failing to "value a head more than a slipper." Recent scholars have interpreted it as an allegory of the five senses: the nosegay (smell), the orange (taste), the parrot-confidant (hearing), and the man's monocle she fingers (sight and touch).
Técnica/material:
óleo sobre lienzo
Museo:
Metropolitan Museum of Art, New York, USA
Crédito:
Album
Autorizaciones:
? Cesión de modelo: No - ? Cesión de propiedad: No
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Tamaño imagen:
2868 x 4175 px | 34.3 MB
Tamaño impresión:
24.3 x 35.3 cm | 9.6 x 13.9 in (300 dpi)
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