alb3607157

KATSUSHIKA HOKUSAI. Fujimigahara in Owari Province (Bishu Fujimigahara), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)

Fujimigahara in Owari Province (Bishu Fujimigahara), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: 10 1/16 x 14 7/8 in. (25.6 x 37.8 cm). Date: ca. 1830-32.
By framing Fuji and the cooper in the interior of the barrel and by casting the cooper's body in the same triangular form as that of Fuji beyond, Hokusai effects an intimate dialogue between the haggard man and the iconic mountain. This one-to-one relationship makes not only for a strong visual analogy between mountain and man but also for a potent iconographical one. The juxtaposition of the cooper and Fuji lends a religious overtone to the man's honest labor and existence.

Compartir
Pinterest
Twitter
Facebook
Copiar enlace
Email

Añadir a otro lightbox

¿Ya tienes cuenta? Iniciar sesión

¿No tienes cuenta? Regístrate

Compra esta imagen. Selecciona el uso:

Autor:

Katsushika Hokusai (1760-1849)

Título:

Fujimigahara in Owari Province (Bishu Fujimigahara), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)

Descripción: Ver traducción automática

Fujimigahara in Owari Province (Bishu Fujimigahara), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: 10 1/16 x 14 7/8 in. (25.6 x 37.8 cm). Date: ca. 1830-32. By framing Fuji and the cooper in the interior of the barrel and by casting the cooper's body in the same triangular form as that of Fuji beyond, Hokusai effects an intimate dialogue between the haggard man and the iconic mountain. This one-to-one relationship makes not only for a strong visual analogy between mountain and man but also for a potent iconographical one. The juxtaposition of the cooper and Fuji lends a religious overtone to the man's honest labor and existence.

Técnica/material:

Polychrome woodblock print; ink and color on paper

Periodo:

Edo period (1615-1868)

Museo:

Metropolitan Museum of Art, New York, USA

Crédito:

Album

Autorizaciones:

? Cesión de modelo: No - ? Cesión de propiedad: No
¿Preguntas relacionadas con los derechos?

Tamaño imagen:

4277 x 2919 px | 35.7 MB

Tamaño impresión:

36.2 x 24.7 cm | 14.3 x 9.7 in (300 dpi)

Palabras clave:

ARTE ASIATICO • ASIA • BLOQUES DE MADERA • GRABADOS EN MADERA • HOKUSAI, KATSUSHIKA • IMPRESIONES EN RELIEVE • JAPON • METROPOLITAN MUSEUM OF ART, NEW YORK, USA • PAPEL • TINTA CHINA • TINTA