alb4591570
Medieval illuminated manuscripts, (1898). Creator: Unknown.
![Medieval illuminated manuscripts, (1898). 'Figs 1-4: From the 14th century. Figs 5-13: With the single leaves and flowers from the 15th century...In the illumination of manuscripts the livelier forms of the ornament superseded slowly the round, surface-filling forms of the Romanesque style. The flowers were partly idealised, also some direct from nature, and Figs 8 and 13 give us an idea how both kinds of treatment were often combined, especially in the later Gothic time. Characteristically of this time is a deep shading, as well as the use of half tones, and the laying on of lights. Remarkable is the variety and splendour of the colours which represent the abundance and brightness of the flowers in the miniatures of the venerable manuscripts of that age'. Plate 43 from "The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898].](/photos/prev/OWI5NGIyMA/album_alb4591570.webp)
| Compartir |
|---|
 Pinterest |
 Twitter |
 Facebook |
 Copiar enlace |
 Email |
|
Añadir a otro lightbox |
|
Añadir a otro lightbox |
¿Ya tienes cuenta? Iniciar sesión
¿No tienes cuenta? Regístrate
Compra esta imagen.
Selecciona el uso:
Título: Medieval illuminated manuscripts, (1898). Creator: Unknown.
Descripción: Ver traducción automática
Medieval illuminated manuscripts, (1898). 'Figs 1-4: From the 14th century. Figs 5-13: With the single leaves and flowers from the 15th century...In the illumination of manuscripts the livelier forms of the ornament superseded slowly the round, surface-filling forms of the Romanesque style. The flowers were partly idealised, also some direct from nature, and Figs 8 and 13 give us an idea how both kinds of treatment were often combined, especially in the later Gothic time. Characteristically of this time is a deep shading, as well as the use of half tones, and the laying on of lights. Remarkable is the variety and splendour of the colours which represent the abundance and brightness of the flowers in the miniatures of the venerable manuscripts of that age'. Plate 43 from "The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]
Medieval illuminated manuscripts, (1898). 'Figs 1-4: From the 14th century. Figs 5-13: With the single leaves and flowers from the 15th century...In the illumination of manuscripts the livelier forms of the ornament superseded slowly the round, surface-filling forms of the Romanesque style. The flowers were partly idealised, also some direct from nature, and Figs 8 and 13 give us an idea how both kinds of treatment were often combined, especially in the later Gothic time. Characteristically of this time is a deep shading, as well as the use of half tones, and the laying on of lights. Remarkable is the variety and splendour of the colours which represent the abundance and brightness of the flowers in the miniatures of the venerable manuscripts of that age'. Plate 43 from "The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]
Técnica/material: CROMOLITOGRAFIA • LITHOGRAPH
Crédito: Album / The Print Collector/Heritage Images
Autorizaciones: ? Cesión de modelo: No - ? Cesión de propiedad: No
¿Preguntas relacionadas con los derechos?
¿Preguntas relacionadas con los derechos?
Tamaño imagen: 4011 × 5556 px | 63.8 MB
Tamaño impresión: 34.0 × 47.0 cm | 1579.1 × 2187.4 in (300 dpi)
Palabras clave: ANGEL • ARMA GRIEGA • ARMA • ARMAS • ARTE • ARTES • COLOR • COLORIDO • CONCEPTO • CONFLICTO BELICO • CROMOLITOGRAFIA • DECORATIVO • DISEÑO • EDAD MEDIA • ESPADA • ESPADAS • ESTAMPADO • FLOR • FLORAL • FLORES • FLOWERS • FOLLAJE • GUERRA • GUERRAS • ILUMINACION MANUSCRITO • LETRAS • LIBRO • LITERATURA • LITOGRAFIA • MANUSCRITO ILUMINADO • MANUSCRITO MINIADO • MANUSCRITO • MEDIEVAL • NATURALEZA • PLANTA • PLANTAE • PLANTAS • PLANTS • RELIGION • RELIGIOSO • S. -XV • S. XV • SANTO • SIGLO XIV • SIGLO XIX • SIGLO XV • SIGLO • TRAZO • WAR • WEAPON
