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Morita Kanya as Kitsune Tadanobu in 'Yoshisune senbon-zakura', Natori Shunsen, artist, 1952, Tokyo, woodcut, The major Japanese 20th century printmaker Natori Shunsen (1886-1960) first worked for the principal publisher of shin-hanga ('modern prints'), Watanabe Shzabur, in 1916 and was well-known in America through his exhibitions at the Toledo Museum of Art. Shunsen was one of the first to re-establish his relationship with the publisher after the war, and his works were immediately popular. Their appeal, as of shin-hanga generally, was due largely to their direct, accessible, naturalism. They reflected the experiences of Western visitors, and they confirmed an 'imagined Japan' for collectors in America.

Morita Kanya as Kitsune Tadanobu in 'Yoshisune senbon-zakura', Natori Shunsen, artist, 1952, Tokyo, woodcut, The major Japanese 20th century printmaker Natori Shunsen (1886-1960) first worked for the principal publisher of shin-hanga ('modern prints'), Watanabe Shzabur, in 1916 and was well-known in America through his exhibitions at the Toledo Museum of Art. Shunsen was one of the first to re-establish his relationship with the publisher after the war, and his works were immediately popular. Their appeal, as of shin-hanga generally, was due largely to their direct, accessible, naturalism. They reflected the experiences of Western visitors, and they confirmed an 'imagined Japan' for collectors in America.
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Morita Kanya as Kitsune Tadanobu in 'Yoshisune senbon-zakura', Natori Shunsen, artist, 1952, Tokyo, woodcut, The major Japanese 20th century printmaker Natori Shunsen (1886-1960) first worked for the principal publisher of shin-hanga ('modern prints'), Watanabe Shzabur, in 1916 and was well-known in America through his exhibitions at the Toledo Museum of Art. Shunsen was one of the first to re-establish his relationship with the publisher after the war, and his works were immediately popular. Their appeal, as of shin-hanga generally, was due largely to their direct, accessible, naturalism. They reflected the experiences of Western visitors, and they confirmed an 'imagined Japan' for collectors in America.
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Album / quintlox
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Modelo: No - Propiedad: No
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Tamaño imagen:
3894 x 5876 px | 65.5 MB
Tamaño impresión:
33.0 x 49.8 cm | 13.0 x 19.6 in (300 dpi)
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