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Italian Renaissance embroidery and carpet-weaving, (1898). Creator: Unknown.

Italian Renaissance embroidery and carpet-weaving, (1898). 'Fig 1: Embroidery on an ecclesiastical mantle in 'S. Croce at Florence'. Fig 2: Embroidered little velvet cover in the 'Museum vaterländischer Altertümer' at Stuttgart. Fig 3: Embroidered velvet-border from a chasuble, ibid. Fig 4: Silk-embroidery in appliqué work from a chasuble, ibid. Fig 5: Relief-embroidery in gold upon silk from a chasuble, ibid. Figs 6 and 7: Silk-embroideries in appliqué work upon damask-ground. Fig 8: Carpet-border from a Venetian picture at Verona. Fig 9: Carpet-border from a picture by Paolo Giolfino in the museum, ibid. Fig 10: Carpet-border from a picture by Moroni in the Pinacothec at Munich. Embroidery, either appliqué or flat work, the latter frequently relief-like, took its motives [motifs] from the same sources as the hitherto treated branches of art, and it also united with the mere ornament proper images, especially in form of medallions. Carpet-weaving, inasmuch as it is not fancy-weaving, but applying geometric or vegetable designs, follows in the main features Byzantine and Oriental examples'. Plate 51 from "The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898].
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Título:
Italian Renaissance embroidery and carpet-weaving, (1898). Creator: Unknown.
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Italian Renaissance embroidery and carpet-weaving, (1898). 'Fig 1: Embroidery on an ecclesiastical mantle in 'S. Croce at Florence'. Fig 2: Embroidered little velvet cover in the 'Museum vaterländischer Altertümer' at Stuttgart. Fig 3: Embroidered velvet-border from a chasuble, ibid. Fig 4: Silk-embroidery in appliqué work from a chasuble, ibid. Fig 5: Relief-embroidery in gold upon silk from a chasuble, ibid. Figs 6 and 7: Silk-embroideries in appliqué work upon damask-ground. Fig 8: Carpet-border from a Venetian picture at Verona. Fig 9: Carpet-border from a picture by Paolo Giolfino in the museum, ibid. Fig 10: Carpet-border from a picture by Moroni in the Pinacothec at Munich. Embroidery, either appliqué or flat work, the latter frequently relief-like, took its motives [motifs] from the same sources as the hitherto treated branches of art, and it also united with the mere ornament proper images, especially in form of medallions. Carpet-weaving, inasmuch as it is not fancy-weaving, but applying geometric or vegetable designs, follows in the main features Byzantine and Oriental examples'. Plate 51 from "The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]
Técnica/material:
CROMOLITOGRAFIA • LITHOGRAPH
Crédito:
Album / The Print Collector/Heritage Images
Autorizaciones:
Modelo: No - Propiedad: No
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Tamaño imagen:
3720 x 5802 px | 61.8 MB
Tamaño impresión:
31.5 x 49.1 cm | 12.4 x 19.3 in (300 dpi)
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