CIRCLE OF BACCIO BALDINI, AFTER FRANCESCO TRAINI, FORMERLY THOUGHT TO BE AFTER ANDREA DI CIONE (ORCAGNA). Dante's Inferno'; in the centre Lucifer torturing several damned souls, some of whom are labeled (eg. 'BRUTO, TOLOMEO, ANTENOR, CHASSIO') surrounded by other sinners being tortured by devils, derived from the 'Last Judgement' fresco in the Campo Santo, Pisa
Dante's Inferno'; in the centre Lucifer torturing several damned souls, some of whom are labeled (eg. 'BRUTO, TOLOMEO, ANTENOR, CHASSIO') surrounded by other sinners being tortured by devils, derived from the 'Last Judgement' fresco in the Campo Santo, Pisa
Dante's Inferno'; in the centre Lucifer torturing several damned souls, some of whom are labeled (eg. 'BRUTO, TOLOMEO, ANTENOR, CHASSIO') surrounded by other sinners being tortured by devils, derived from the 'Last Judgement' fresco in the Campo Santo, Pisa. Artist: Circle of Baccio Baldini (Italian, Florence 1436?-?1487); After Francesco Traini (Italian, active ca. 1321-45); Formerly thought to be after Andrea di Cione (Orcagna) (Italian, Florence 1315/20-1368 Florence). Dimensions: Sheet: 11 13/16 × 8 7/16 in. (30 × 21.5 cm). Date: ca. 1460-80.
Technique/matériel:
Engraving, a later re-strike (possibly 19th century)
Musée:
Metropolitan Museum of Art, New York, USA
Crédit:
Album / Metropolitan Museum of Art, NY
Copyright:
Le droit d'auteur de l'artiste doit être liquidé si l'œuvre n'est pas dans le domaine public dans le pays pour lequel la licence est contractée.