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"Course it's an elephant," says Caron Rawnsley (left) as Bareno Velleman dubiously fingers the lump of clay Caron has been modelling. Jonathan Levy is busy with what he says is a railway train. Caron and his friends, watched over by Mrs. Rawnsley, are playing in artist David Rawnsley's Chelsea (London) studios where, since David Started making pottery, there is plenty of modelling clay for little fingers to muck about with. September 15, 1952.

"Course it's an elephant," says Caron Rawnsley (left) as Bareno Velleman dubiously fingers the lump of clay Caron has been modelling. Jonathan Levy is busy with what he says is a railway train. Caron and his friends, watched over by Mrs. Rawnsley, are playing in artist David Rawnsley's Chelsea (London) studios where, since David Started making pottery, there is plenty of modelling clay for little fingers to muck about with. September 15, 1952.
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"Course it's an elephant," says Caron Rawnsley (left) as Bareno Velleman dubiously fingers the lump of clay Caron has been modelling. Jonathan Levy is busy with what he says is a railway train. Caron and his friends, watched over by Mrs. Rawnsley, are playing in artist David Rawnsley's Chelsea (London) studios where, since David Started making pottery, there is plenty of modelling clay for little fingers to muck about with. September 15, 1952.
Crédit:
Album / SuperStock / Sydney Morning Herald
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Modèle: Non - Propriété: Non
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Taille de l'image:
1663 x 2222 px | 10.6 MB
Taille d'impression:
14.1 x 18.8 cm | 5.5 x 7.4 in (300 dpi)
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