alb3618222

DOMENICO GUIDI. Andromeda and the Sea Monster

Andromeda and the Sea Monster. Artist: Domenico Guidi (Italian, 1625-1701). Culture: Italian, Rome. Dimensions: Overall (confirmed): 64 3/8 x 46 3/8 x 34 5/8 in. (163.5 x 117.8 x 87.9 cm). Patron: Commissioned by Francesco II, Duke of Mantua and Reggio (Italian, 1660-1694) , who died before the sculpture's completion. Date: 1694.
Acquired in Rome by John Cecil, the fifth Earl of Exeter (1648-1700), this sculpture was long believed to have been the work of Pierre-Étienne Monnot, the French-born sculptor who carved the English statesman's funerary monument. The Andromeda, thoroughly Roman Baroque in conception and treatment, was once thought to have been merely influenced by Domenico Guidi, Monnot's mentor, but now seen to be Guidi's own work.
The sculpture has recently been identified as the Andromeda (previously considered lost) originally commissioned by Francesco II d'Este, Duke of Modena, who died before acquiring it. John Cecil bought the work for Burghley House, his Northamptonshire residence, where it remained until this century.
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Titre:
Andromeda and the Sea Monster
Andromeda and the Sea Monster. Artist: Domenico Guidi (Italian, 1625-1701). Culture: Italian, Rome. Dimensions: Overall (confirmed): 64 3/8 x 46 3/8 x 34 5/8 in. (163.5 x 117.8 x 87.9 cm). Patron: Commissioned by Francesco II, Duke of Mantua and Reggio (Italian, 1660-1694) , who died before the sculpture's completion. Date: 1694. Acquired in Rome by John Cecil, the fifth Earl of Exeter (1648-1700), this sculpture was long believed to have been the work of Pierre-Étienne Monnot, the French-born sculptor who carved the English statesman's funerary monument. The Andromeda, thoroughly Roman Baroque in conception and treatment, was once thought to have been merely influenced by Domenico Guidi, Monnot's mentor, but now seen to be Guidi's own work. The sculpture has recently been identified as the Andromeda (previously considered lost) originally commissioned by Francesco II d'Este, Duke of Modena, who died before acquiring it. John Cecil bought the work for Burghley House, his Northamptonshire residence, where it remained until this century.
Technique/matériel:
MARMOL
Musée:
Metropolitan Museum of Art, New York, USA
Crédit:
Album / Metropolitan Museum of Art, NY
Autorisations:
Modèle: Non - Propriété: Non
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Taille de l'image:
3310 x 4200 px | 39.8 MB
Taille d'impression:
28.0 x 35.6 cm | 11.0 x 14.0 in (300 dpi)