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EDOUARD MANET. Young Lady in 1866

EDOUARD MANET. Young Lady in 1866. Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: 72 7/8 x 50 5/8 in. (185.1 x 128.6 cm). Date: 1866. Manet's model, Victorine Meurent, had recently posed as the brazen nudes in <i>Olympia</i> and <i>Luncheon on the Grass</i> (both Musée d'Orsay, Paris). Here, appearing relatively demure, she flaunts an intimate silk dressing gown. Critics eyed the painting as a rejoinder to Courbet's <i>Woman with a Parrot</i> (29.100.57) and as indicative of Manet's "current vice" of failing to "value a head more than a slipper." Recent scholars have interpreted it as an allegory of the five senses: the nosegay (smell), the orange (taste), the parrot-confidant (hearing), and the man's monocle she fingers (sight and touch).
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Titre:
Young Lady in 1866
Légende: Voir la traduction automatique
Young Lady in 1866. Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: 72 7/8 x 50 5/8 in. (185.1 x 128.6 cm). Date: 1866. Manet's model, Victorine Meurent, had recently posed as the brazen nudes in Olympia and Luncheon on the Grass (both Musée d'Orsay, Paris). Here, appearing relatively demure, she flaunts an intimate silk dressing gown. Critics eyed the painting as a rejoinder to Courbet's Woman with a Parrot (29.100.57) and as indicative of Manet's "current vice" of failing to "value a head more than a slipper." Recent scholars have interpreted it as an allegory of the five senses: the nosegay (smell), the orange (taste), the parrot-confidant (hearing), and the man's monocle she fingers (sight and touch).
Technique/matériel:
HUILE SUR TOILE
Musée:
Metropolitan Museum of Art, New York, USA
Crédit:
Album
Autorisations:
? Autorisation de modèle: Non - ? Autorisation de propriété: Non
Questions sur les droits?
Taille de l'image:
2868 x 4175 px | 34.3 MB
Taille d'impression:
24.3 x 35.3 cm | 9.6 x 13.9 in (300 dpi)
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