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HENRI DE TOULOUSE-LAUTREC. At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol)

At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol). Artist: Henri de Toulouse-Lautrec (French, Albi 1864-1901 Saint-André-du-Bois). Dimensions: 13 3/4 x 9 13/16 in. (35 x 25 cm). Date: 1899.
The grand master of urban entertainments, Henri de Toulouse-Lautrec made many paintings and drawings on the circus theme in the late 1880s and 1890s, just as his popularity as a commercial artist soared. Fin-de-siècle Paris hosted an assortment of professional circuses, and Lautrec frequented them all. He was personally drawn to circus performers-those colorful equestrians, animal trainers, clowns and acrobats on society's "fringes." It was while undergoing treatment for alcoholism at a sanitarium on the outskirts of Paris in 1899 that Lautrec produced an ambitious group of crayon/chalk drawings of circus figures. These imaginative sketches were drawn entirely from memory, without recourse to preliminary studies. The Lehman horse and rider perform the "pas espagnol", the ambling gait formalized by the Spanish Riding School of Vienna. It was thanks to these circus drawings that Lautrec earned his release from the sanitarium-their impressive handling convinced doctors of his improving health. As Lautrec left the clinic, he is said to have remarked, "I've bought my release with my drawings.".

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Auteur:

HENRI DE TOULOUSE-LAUTREC (1864-1901)

Titre:

At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol)

Légende: Voir la traduction automatique

At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol). Artist: Henri de Toulouse-Lautrec (French, Albi 1864-1901 Saint-André-du-Bois). Dimensions: 13 3/4 x 9 13/16 in. (35 x 25 cm). Date: 1899. The grand master of urban entertainments, Henri de Toulouse-Lautrec made many paintings and drawings on the circus theme in the late 1880s and 1890s, just as his popularity as a commercial artist soared. Fin-de-siècle Paris hosted an assortment of professional circuses, and Lautrec frequented them all. He was personally drawn to circus performers-those colorful equestrians, animal trainers, clowns and acrobats on society's "fringes." It was while undergoing treatment for alcoholism at a sanitarium on the outskirts of Paris in 1899 that Lautrec produced an ambitious group of crayon/chalk drawings of circus figures. These imaginative sketches were drawn entirely from memory, without recourse to preliminary studies. The Lehman horse and rider perform the "pas espagnol", the ambling gait formalized by the Spanish Riding School of Vienna. It was thanks to these circus drawings that Lautrec earned his release from the sanitarium-their impressive handling convinced doctors of his improving health. As Lautrec left the clinic, he is said to have remarked, "I've bought my release with my drawings.".

Technique/matériel:

Graphite, black and colored pastel, and charcoal on off-white heavy wove paper

Musée:

Metropolitan Museum of Art, New York, USA

Crédit:

Album / Metropolitan Museum of Art, NY

Autorisations:

Modèle: Non - Propriété: Non
Questions sur les droits?

Taille de l'image:

4401 x 6246 px | 78.6 MB

Taille d'impression:

37.3 x 52.9 cm | 14.7 x 20.8 in (300 dpi)

Mots clés:

CRAIE • EUROPE (CONTINENT) • FRANCE • HENRI DE TOULOUSE-LAUTREC • METROPOLITAN MUSEUM OF ART, NEW YORK, USA