Lightboxes
Panier
alb3661831

Terracotta amphora (jar)

Terracotta amphora (jar). Culture: Greek, Attic. Dimensions: H. 22 5/8 in. (57.5 cm). Date: ca. 530 B.C.. On the body, obverse, Herakles and Apollo vying for possession of the Delphic tripod, which was central to the oracle of Apollo; reverse, Dionysos, the god of wine, between satyr and maenad On the lip, obverse and reverse, Herakles and the Nemean Lion The introduction of the red-figure technique is attributed to the workshop of Andokides. While we think of red-figure mainly in terms of drawing, it differs from black-figure also in the very different apportionment of glazed and unglazed surfaces on a vase. The preparation of these surfaces was probably the responsibility of the potter, and for this reason, the new technique is associated with a potter rather than a painter. On some works combining red-figure and black-figure, a single painter seems to have done both; here, however, two different artists are likely. The scene on the obverse depicts the hero Herakles with his club and the god Apollo with bow and arrows, struggling over the Delphic tripod, which Herakles sought to carry off.
Partager
pinterestPinterest
twitterTwitter
facebookFacebook
emailEmail

Ajouter à une autre Lightbox

Ajouter à une autre Lightbox
add to lightbox print share
Avez-vous déjà un compte? S'identifier
Vous n'avez pas de compte ? S'inscrire
Acheter cette image
Chargement...
Titre:
Terracotta amphora (jar)
Légende: Voir la traduction automatique
Terracotta amphora (jar). Culture: Greek, Attic. Dimensions: H. 22 5/8 in. (57.5 cm). Date: ca. 530 B.C.. On the body, obverse, Herakles and Apollo vying for possession of the Delphic tripod, which was central to the oracle of Apollo; reverse, Dionysos, the god of wine, between satyr and maenad On the lip, obverse and reverse, Herakles and the Nemean Lion The introduction of the red-figure technique is attributed to the workshop of Andokides. While we think of red-figure mainly in terms of drawing, it differs from black-figure also in the very different apportionment of glazed and unglazed surfaces on a vase. The preparation of these surfaces was probably the responsibility of the potter, and for this reason, the new technique is associated with a potter rather than a painter. On some works combining red-figure and black-figure, a single painter seems to have done both; here, however, two different artists are likely. The scene on the obverse depicts the hero Herakles with his club and the god Apollo with bow and arrows, struggling over the Delphic tripod, which Herakles sought to carry off.
Technique/matériel:
Terracotta; red-figure / bilingual
Période:
ARCHAIC
Musée:
Metropolitan Museum of Art, New York, USA
Crédit:
Album / Metropolitan Museum of Art, NY
Autorisations:
Modèle: Non - Propriété: Non
Questions sur les droits?
Taille de l'image:
3170 x 4226 px | 38.3 MB
Taille d'impression:
26.8 x 35.8 cm | 10.6 x 14.1 in (300 dpi)
Mots clés: