alb9629746

Christ in the House of His Parents - painted by J. E. Millais, 1850. Creator: Unknown.

Christ in the House of His Parents - painted by J. E. Millais, 1850. Exhibition at the Royal Academy in London. The child Jesus shows the stigmata, presaging his crucifixion: '...a picture painted, it is said, on a wrong principle, but with a thousand merits, and many intentional defects. Mr. Millais has taken his subject from Zechariah xiii. 6: "And one shall say unto him, What are these wounds in thine hands? Then he shall answer, Those with which I was wounded in the house of my friends." What is called, somewhat slightingly, the pre-Raphaelism of this picture, is its leading excellence...The intentional deformities, such as the frost-bitten toes of Joseph, the sore heel of the Virgin, &c., are not at all to our taste ; but the picture has so many merits, that all its eccentricities may be very well excused, though they cannot be overlooked'. From "Illustrated London News", 1850.

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Titre: Christ in the House of His Parents - painted by J. E. Millais, 1850. Creator: Unknown.

Légende: Voir la traduction automatique
Christ in the House of His Parents - painted by J. E. Millais, 1850. Exhibition at the Royal Academy in London. The child Jesus shows the stigmata, presaging his crucifixion: '...a picture painted, it is said, on a wrong principle, but with a thousand merits, and many intentional defects. Mr. Millais has taken his subject from Zechariah xiii. 6: "And one shall say unto him, What are these wounds in thine hands? Then he shall answer, Those with which I was wounded in the house of my friends." What is called, somewhat slightingly, the pre-Raphaelism of this picture, is its leading excellence...The intentional deformities, such as the frost-bitten toes of Joseph, the sore heel of the Virgin, &c., are not at all to our taste ; but the picture has so many merits, that all its eccentricities may be very well excused, though they cannot be overlooked'. From "Illustrated London News", 1850.

Crédit: Album / The Print Collector/Heritage Images

Autorisations: ? Autorisation de modèle: Non - ? Autorisation de propriété: Non
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Taille de l'image: 4960 × 2933 px | 41.6 MB

Taille d'impression: 42.0 × 24.8 cm | 1952.8 × 1154.7 in (300 dpi)

Mots clés: ART, GALERIES • ATELIER • BAISER • BONHOMME • CADRE • CHRISTIANISME • CORPS PIEDS • DÉBALLAGE • GALERIE D'ART • GALLERIE DE PEINTURES • HOMME • IMAGES • INDUSTRIE • INDUSTRIEL • INTERIEUR: TABLEAUX • JOURNAL • MAMAN • MATERNITÉ • MERE • NOIR ET BLANC • OCCUPATION • PARC DES EXPOSITIONS • PEINDRE • PEINTURE, SCENES D'INTERIE • PERE (PARENTE) • PÈRE • PIED • PIEDS • PROFESSION • RELIGION • TABLEAU: SCENES D'INTERIEU • TABLEAUX • VANNERIE • VICTORIEN • VICTORIENNE • XIXE SIÈCLE