alb4575272

Sand Dunes, Carson Desert, Nevada, 1867. Creator: Timothy H. O'Sullivan (American, 1840-1882) .

Sand Dunes, Carson Desert, Nevada, 1867. Timothy H. OSullivan's Civil War experiences prepared him for the hardship of serving from 1867 to 1869 as photographer for the Geological Exploration of the Fortieth Parallel. Led by geologist Clarence King, the expedition's goal was to map and describe a strip of land along the 40th parallel in California, Nevada, Utah, Idaho, and Wyoming. This territory coincided roughly with the route of the railroad that would link the east and west coasts in 1869. Here, OSullivan recorded the elusive shifting dunes near Sand Springs, Nevada, including the mule-drawn ambulance he used to transport water necessary for his darkroom. OSullivan's work was less picturesque than that of his contemporaries, using light to define form rather than for dramatic effect. Most significantly, he compressed space by focusing on the textures in both the foreground and background, which resulted in a unified visual whole.

Partager
Pinterest
Twitter
Facebook
Copier le lien
Email

Ajouter à une autre Lightbox

Avez-vous déjà un compte? S'identifier

Vous n'avez pas de compte ? S'inscrire

Acheter cette image. Sélectionnez l'usage:

Titre: Sand Dunes, Carson Desert, Nevada, 1867. Creator: Timothy H. O'Sullivan (American, 1840-1882) .

Légende: Voir la traduction automatique
Sand Dunes, Carson Desert, Nevada, 1867. Timothy H. OSullivan's Civil War experiences prepared him for the hardship of serving from 1867 to 1869 as photographer for the Geological Exploration of the Fortieth Parallel. Led by geologist Clarence King, the expedition's goal was to map and describe a strip of land along the 40th parallel in California, Nevada, Utah, Idaho, and Wyoming. This territory coincided roughly with the route of the railroad that would link the east and west coasts in 1869. Here, OSullivan recorded the elusive shifting dunes near Sand Springs, Nevada, including the mule-drawn ambulance he used to transport water necessary for his darkroom. OSullivan's work was less picturesque than that of his contemporaries, using light to define form rather than for dramatic effect. Most significantly, he compressed space by focusing on the textures in both the foreground and background, which resulted in a unified visual whole.

Personnalités: TIMOTHY H. O'SULLIVAN

Crédit: Album / Heritage Art/Heritage Images

Autorisations: ? Autorisation de modèle: Non - ? Autorisation de propriété: Non
Questions sur les droits?

Taille de l'image: 4248 × 3144 px | 38.2 MB

Taille d'impression: 36.0 × 26.6 cm | 1672.4 × 1237.8 in (300 dpi)

Mots clés: AMÉRICAIN • TIMOTHY H. O'SULLIVAN